With the Help of Friends celebrates 15 dynamic photographs ranging from the 1930s to the present day that were selected and purchased over the recent years by the Carter with the assistance of its photography collection supporters.

Light and shadow come together in the latest immersive contemporary exhibition at the Carter! Commissioned by the Museum, Pakistani-American multidisciplinary artist Anila Quayyum Agha presented an immersive, site-specific sculptural installation ​and related drawings ​informed by her multicultural experience.

This exhibition pairs an interactive installation by new-media artist Camille Utterback with a century of art by women depicting motion from the Carter’s collection. 

This intimate exhibition of Gego’s dramatic black-and-red prints celebrates the vibrant diversity of line, from zigzags and curves to diagonals and scribbles, and explores her interest in the intersection between line and space.

When you view Scott and Stuart Gentling’s watercolors of Texas birds, you’ll want to get close. The level of detail is extraordinary—hundreds of brushstrokes make up each feather, and there are hundreds of feathers!

American icon Winslow Homer, famous ocean painter, joins Frederic Remington, legendary cowboy artist, for the first exhibition to explore the unexpected resonances and moments of convergence between the themes, artistic sensibilities, and technical processes of these two artists.

Identity explores community, celebrity, and individual representation through portraiture, delving into the idea that identity in American culture is as much influenced by individual presentation as factors that are externally determined.

From Standing Rock protests to the Arizona and Texas borderlands, Epstein travels the country capturing images where public and private rights are often in conflict. Politics and citizenship, or environmental degradation and land rights, Epstein focuses on tough topics, helping us see overlapping, and often competing, histories and perspectives.

Tales from the American West is the first museum exhibition to feature Trevor Rees-Jones’ exceptional collection of art of the American West. Including stately portraits, accurate renditions of daily life, and majestic landscapes, the Rees-Jones Collection contributes to our understanding of the West today.

Experience the Texas landscape like you’ve never seen it before. Texas Made Modern: The Art of Everett Spruce revitalizes Spruce’s legacy and returns it to its place in the history of American art.

This exhibition features seven key works that explore the artist’s interest in color, light, and the photographic process through photographs that defy the traditional photographic convention of capturing identifiable subjects.

This exhibition explores presidential representation, delving into the enduring image of George and Martha Washington and the artistic decisions that America’s first great generation of artists made in order to remember these national icons.

Though Louise Nevelson is known for her sculpture, Prints explores a series of lithographs she created in the 1960s. These prints share with her sculpture an interest in silhouetted forms, but her use of vivid color sets them apart.

Fort Worth artists Scott and Stuart Gentling paid tribute to their artistic predecessors in their watercolors, carefully reinventing historical poses and compositions of birds before inserting them in backdrops of unique Texas landscapes.

Part explorer, part historian, and part naturalist, artist Mark Dion retraces the footsteps of several 19th-century Texas explorers, collecting materials to form an exhibition that enhances our understanding of the past and brings it to life in the present day.

Using the freedom quilts of the past as a guide, Hidden in Plain Site uses a variety of metaphors and symbols encoded in patterns to address the idea of spiritual slavery as it exists today.