See history in a new way through watercolors of birds! Fort Worth artists Scott and Stuart Gentling paid tribute to their artistic predecessors such as John James Audubon and Alexander Wilson in their watercolors, carefully reinventing historical poses and compositions of birds before inserting them in backdrops of unique Texas landscapes.

Eliot Porter set the model for today’s nature photography. While he is internationally celebrated for his colorful renderings of the natural world, Eliot Porter’s Birds highlights his equal, career-long focus on photographing birds. More than thirty photographs and archival objects are presented alongside excerpts from the artist’s extensive writings about his activities, giving visitors an opportunity to feel a direct connection with the artist. 

Looking In: Photography from the Outside examines the way artists have photographed groups they are not part of. It takes an in-depth look at series by six important twentieth-century artists who navigated their role as “outsider” differently, raising complicated questions about perception, representation, and power.

Commissioned for the reopening of the Carter, Puente Nuevo is an immersive experience of large-scale artwork made from the materials used to construct piñatas.

When you enter the museum, take a moment to marvel at James Surls’ otherworldly sculpture Seven and Seven Flower, a complex portrait of family, land, and self.

Commissioned for the Carter, this large-scale, site-specific installation looks like frozen, Technicolor vapor. Created out of more than eighty miles of multicolored thread, Plexus no. 34 draws attention to the majestic architecture and natural light of the museum’s Atrium.

The Carter houses one of the great collections of American art, from historical landscapes captured on canvas to city streets seen through the lens of a camera. We’re regularly changing out these works, so each time you visit, you know you’ll encounter something you haven’t seen before.