American icon Winslow Homer, famous ocean painter, joins Frederic Remington, legendary cowboy artist, for the first exhibition to explore the unexpected resonances and moments of convergence between the themes, artistic sensibilities, and technical processes of these two artists.

From Standing Rock protests to the Arizona and Texas borderlands, Epstein travels the country capturing images where public and private rights are often in conflict. Politics and citizenship, or environmental degradation and land rights, Epstein focuses on tough topics, helping us see overlapping, and often competing, histories and perspectives.

Eleanore Mikus translated her signature style of painting into the medium of printmaking. Meditations draws from the Carter’s deep collection of works on paper, which includes more than 2,500 Tamarind prints from the 1960s, including these rarely seen works Mikus created in 1968.

Experience the Texas landscape like you’ve never seen it before. Texas Made Modern: The Art of Everett Spruce resurrects Spruce’s career and returns it to its place in the history of American art.

This exhibition offers the first-ever in-depth examination of the 19th-century photographic phenomenon of cabinet cards, examining how this trend in photographic portraiture set the foundation for the snapshot and today’s digital photosharing.

See American art through international eyes. From experimental abstractions to politically charged themes, this exhibition brings together nearly forty prints and drawings created by artists who immigrated to America from Europe during the first half of the twentieth century.

Part explorer, part historian, and part naturalist, artist Mark Dion retraces the footsteps of several 19th-century Texas explorers, collecting materials to form an exhibition that enhances our understanding of the past and brings it to life in the present day.

While he is internationally celebrated for his colorful renderings of the natural world, Eliot Porter’s Birds highlights Porter's equal, career-long focus on photographing birds through more than thirty photographs and archival objects with the artist’s extensive writings. 

Looking In: Photography from the Outside examines the way artists have photographed groups they are not part of through an in-depth look at series by six important twentieth-century artists who navigated their role as “outsider” differently.

Fort Worth artists Scott and Stuart Gentling paid tribute to their artistic predecessors in their watercolors, carefully reinventing historical poses and compositions of birds before inserting them in backdrops of unique Texas landscapes.

Commissioned for the reopening of the Carter, Puente Nuevo is an immersive experience of large-scale artwork made from the materials used to construct piñatas.

This exhibition pairs an interactive installation by new-media artist Camille Utterback with a century of art by women depicting motion from the Carter’s collection. 

When you view Scott and Stuart Gentling’s watercolors of Texas birds, you’ll want to get close. The level of detail is extraordinary—hundreds of brushstrokes make up each feather, and there are hundreds of feathers!

From his fashion photographs to his thoughtful depictions of American life, Parks used the camera as his tool for proclaiming the value of an American community built on freedom and equality.

With the Help of Friends celebrates 15 dynamic photographs ranging from the 1930s to the present day that were selected and purchased over the recent years by the Carter with the assistance of its photography collection supporters.