Ernest de Soto, Master Printer highlights the legacy of the first Latino master printer in the United States. Featuring 28 lithographs, this exhibition celebrates the collaborative art of lithography with work by de Soto and nine major artists he collaborated with during his time at the Tamarind Lithography Workshop.

On view for the first time since entering the Carter collection, Seven Days: The Still Lifes of Chuck Ramirez showcases Ramirez’s seven photographs depicting still-life scenes of food and leftovers after celebrations.

Cowboy reexamines the popular mythologies surrounding the image and concept of the cowboy. Through the work of 28 artists, which includes Asian American, Black, Indigenous, and Latino perspectives, the exhibition explores perceptions of masculinity and gender, assumptions about cowboys’ relationship to land, and the lived experiences of contemporary cowboys.

Featuring over 250 photographs, Black Photojournalism shines a light on the groundbreaking work of more than 60 photographers working across the United States in the world-changing decades between 1945 and the mid-1980s.

This exhibition examines the Fort Worth mid-century art scene through the presentation of more than 30 works by Fort Worth artist Charles Truett Williams and the artistic community drawn to his studio salon. Accompanying the works on paper and sculptures are ephemera from the recently acquired archives of Williams.

Re/Framed gives visitors to the Carter a new way to look at the Carter’s collection. Several times a year, artwork will be rotated allowing guests to see the works through a different lens.

Celebrating 40 years of Richard Avedon’s In the American West, the Carter is presenting 40 works from the series accompanied by behind-the-scenes archival material of Avedon’s acclaimed portraits.

Georgia O’Keeffe and the Carter brings together the Museum’s holdings of paintings and works on paper by one of America’s most influential modern artists through photographs, letters, and other materials that illuminate her personal and professional ties to the Museum.

2023 marks the 100th anniversary of the birth of Richard Avedon, renowned fashion and portrait photographer. As part of a national celebration, the Carter is showcasing 13 works from the acclaimed series In the American West, which the Museum commissioned in 1979 and premiered in 1985.

The World Outside: Louise Nevelson at Midcentury, a Carter-organized exhibition, illuminates Nevelson’s multidimensional mastery of form and dialogue with postwar American culture and features over 50 defining artworks by Nevelson on view together for the first time.

Organized by the Carter, Drawn to Nature highlights depictions of nature from the Carter’s works on paper holdings from the 18th through the 21st centuries.

Drawn from the Carter's collection, Richard Hunt: From Paper to Metal highlights the artist’s prints produced at the Tamarind Lithography Workshop in 1965 and a newly-acquired sculpture, Natural Form, created in Hunt’s signature direct-welded metal technique. 

Emancipation: The Unfinished Project of Liberation visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond from the perspectives of contemporary Black artists.

A multimedia examination of photographer and cinematographer Karl Struss, Moving Pictures: Karl Struss and the Rise of Hollywood celebrates his storied career and influence on American cinematography during Hollywood’s Golden Age.

Drawn from the Carter’s Library and photography collections, For a More Livable Planet: The Astronomy Library of Eliot Porter highlights the pioneering photographer's unrecognized interest in astronomy and the Moon.

Drawn primarily from the Carter’s collection, Arthur Dove: Miniature Laboratories examines a selection of small works created when Dove was confined in his home and the surrounding area in Long Island, NY, due to health issues.

Beneath the Surface: Mining and American Photography is the first exhibition to exclusively examine how photographers from the mid-19th century to today have powerfully captured the effects of resource extraction on the land and communities of the United States.