Emancipation: The Unfinished Project of Liberation

March 12–July 9, 2023
Second floor

On view during the 160th anniversary of the Emancipation Proclamation, Emancipation: The Unfinished Project of Liberation visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Highlighting the perspectives of contemporary Black artists, Emancipation features commissioned and recent works by Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith. The seven installations span sculpture, photography, and paper and textile fabrications.

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The artists responded to John Quincy Adams Ward’s bronze sculpture The Freedman (1863) from the Carter’s collection. Initially sculpted by Ward before the end of the Civil War, the figure is depicted on the cusp of liberation, having ruptured his bonds, though they are still present as a reminder of his enslavement. It is one of the first American depictions of a Black figure cast in bronze, and this specific cast from 1863 is the only copy of its kind with a key that releases a shackle from the figure’s wrist. Supplemented by loans of Civil War materials that further enhance our understanding of past representations of Blackness, Emancipation demonstrates how historical art collections can serve as a resource and inspiration for contemporary artistic practices.

Installation Photos

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In the Press

Interior Design

June 16, 2023

Fort Worth Black News

April 2023

The New York Times

April 27, 2023


April 22, 2023

Dallas Morning News

April 6, 2023


April 6, 2023

Fort Worth Weekly

March 29, 2023


March 23, 2023


March 22, 2023


March 16, 2023

Fort Worth Magazine

March 16, 2023

Fort Worth Report

March 16, 2023

Fort Worth Weekly

March 14, 2023


March 13, 2023


March 13, 2023


March 10, 2023

FW Report

March 9, 2023

New York Times T List

March 9, 2023


March 7, 2023


February 1, 2023

Interior Design Magazine

February 2023

Emancipation: The Unfinished Project of Liberation is organized by the Amon Carter Museum of American Art and Williams College Museum of Art. The exhibition is co-curated by Maggie Adler, Curator of Paintings, Sculpture, and Works on Paper at the Carter, and Maurita Poole, Executive Director of Newcomb Art Museum, Tulane University.

Funding for the living artists’ installations is made possible by Sasha and Edward P. Bass. The Carter’s presentation of Emancipation: The Unfinished Project of Liberation is supported by the Leo Potishman Foundation and the Alice L. Walton Foundation Temporary Exhibitions Endowment.