Emancipation: The Unfinished Project of Liberation
On view during the 160th anniversary of the Emancipation Proclamation, Emancipation: The Unfinished Project of Liberation visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Highlighting the perspectives of contemporary Black artists, Emancipation features commissioned and recent works by Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith. The seven installations span sculpture, photography, and paper and textile fabrications.
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The artists responded to John Quincy Adams Ward’s bronze sculpture The Freedman (1863) from the Carter’s collection. Initially sculpted by Ward before the end of the Civil War, the figure is depicted on the cusp of liberation, having ruptured his bonds, though they are still present as a reminder of his enslavement. It is one of the first American depictions of a Black figure cast in bronze, and this specific cast from 1863 is the only copy of its kind with a key that releases a shackle from the figure’s wrist. Supplemented by loans of Civil War materials that further enhance our understanding of past representations of Blackness, Emancipation demonstrates how historical art collections can serve as a resource and inspiration for contemporary artistic practices.
Letitia HuckabyMs. Angela and the Baby, 2022
Pigment print on fabric with embroidery
Hugh HaydenAmerican Dream, 2023
John Quincy Adams WardThe Freedman, 1863
Maya FreelonFool Me Once …, 2023
Tissue quilts, ink, and adhesive
Alfred ContehFloat, 2014
Sable Elyse SmithTrappin I, 2022
Powder coated aluminum
Jeffrey MerisThe Block is Hot: The Resurrection, 2023
Plaster body cast, AC motor, steel, concrete-blocks, aircraft cable, U link, pulleys, ratchet strap
Sadie BarnetteFBI Drawings: Do Not Destroy, 2021
Powdered graphite on paper
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Emancipation: The Unfinished Project of Liberation is organized by the Amon Carter Museum of American Art and Williams College Museum of Art. The exhibition is co-curated by Maggie Adler, Curator of Paintings, Sculpture, and Works on Paper at the Carter, and Maurita Poole, Executive Director of Newcomb Art Museum, Tulane University.
Funding for the living artists’ installations is made possible by Sasha and Edward P. Bass. The Carter’s presentation of Emancipation: The Unfinished Project of Liberation is supported by the Leo Potishman Foundation and the Alice L. Walton Foundation Temporary Exhibitions Endowment.