This exhibition pairs an interactive installation by new-media artist Camille Utterback with a century of art by women depicting motion from the Carter’s collection. 

This exhibition explores the most immense engineering project of the 20th century through photographs that offer glimpses into the extraordinary scale and human expense of the Panama Canal, which transformed the trade route between the Pacific and Atlantic oceans.

When you view Scott and Stuart Gentling’s watercolors of Texas birds, you’ll want to get close. The level of detail is extraordinary—hundreds of brushstrokes make up each feather, and there are hundreds of feathers!

This celebratory exhibition marked Barnet’s 100th birthday by allowing viewers to witness the sophisticated progression of his art during the most pivotal period of his career, as he searched for the symbolic potential of forms through realism and abstraction.

Tales from the American West is the first museum exhibition to feature Trevor Rees-Jones’ exceptional collection of art of the American West. Including stately portraits, accurate renditions of daily life, and majestic landscapes, the Rees-Jones Collection contributes to our understanding of the West today.

This exhibition highlights the work of Leon Polk Smith, exploring how his cross-cultural experiences inspired his devotion to geometric patterning and pure colors, making him a leading practitioner of the style of abstraction popular in the mid-20th century.

American icon Winslow Homer, famous ocean painter, joins Frederic Remington, legendary cowboy artist, for the first exhibition to explore the unexpected resonances and moments of convergence between the themes, artistic sensibilities, and technical processes of these two artists.

This exhibition explores presidential representation, delving into the enduring image of George and Martha Washington and the artistic decisions that America’s first great generation of artists made in order to remember these national icons.

This exhibition features seven key works that explore the artist’s interest in color, light, and the photographic process through photographs that defy the traditional photographic convention of capturing identifiable subjects.

Experience the Texas landscape like you’ve never seen it before. Texas Made Modern: The Art of Everett Spruce revitalizes Spruce’s legacy and returns it to its place in the history of American art.

Drawn from the Carter’s holdings and a private collection, this exhibition highlighted Adams’s quest to “rekindle an appreciation of the marvelous” through his masterful depictions of the West in the romantic tradition of the American landscape.

Though Louise Nevelson is known for her sculpture, Prints explores a series of lithographs she created in the 1960s. These prints share with her sculpture an interest in silhouetted forms, but her use of vivid color sets them apart.

Using the freedom quilts of the past as a guide, Hidden in Plain Site uses a variety of metaphors and symbols encoded in patterns to address the idea of spiritual slavery as it exists today.

Part explorer, part historian, and part naturalist, artist Mark Dion retraces the footsteps of several 19th-century Texas explorers, collecting materials to form an exhibition that enhances our understanding of the past and brings it to life in the present day.

This special exhibition showcases one-of-a-kind works on paper never before exhibited together, chronicling the sweeping changes that occurred in American art over the course of nearly 200 years from portraiture and history painting to modernism and abstraction.

Archiving Eden displays photographs inspired by the work of international seed banks and ecologists to construct a visual meditation on botanical diversity and showcases the pure aesthetic pleasure of seeds and their transformations into plants.

In this exhibition, Staller reflects on consumerism and waste in contemporary society through works that trace the life of everyday objects, meditating on what we choose to keep, what we throw away, and what happens to the objects we consume.