Animal is a lively film that takes you on an exhilarating journey through David Ellis’ spontaneous creative process. The rhythmic time-lapse shows the artist creating creatures, landscapes, and abstractions to an accompanying soundtrack.

Benito Huerta’s elaborate work addresses the mythical notion of an axis mundi—or center of the world that connects heaven and earth—through spiritual, earthly, and autobiographical emblems that draw broader connections to political and global concerns.

Organized in celebration of a recent acquisition, American Still Life highlights the ability of 19th and 20th-century American artists to celebrate the ordinary through their paintings, whether trompe l’oeil masters or modernist photographers.

In Our Own Words features a portfolio of vibrantly colored printed portraits by Daniel Heyman and Lucy Ganje, who collaborated in portraying present-day members of North Dakota Indian nations.

Horizon Lines uses visual perspective to remind us that our experience of space and our relationship to our environment—whether the sea, land, or constructed urban landscape—shifts depending on our different points of view.

This exhibition focuses on the evolution of Cosindas’s career, from textile designer to abstract painter to renowned photographer. Her use of instant-developing color film proved instrumental in revealing the artistic potential of color photography for future artists in the medium.

This intimate exhibition of part of the renowned collection of the Sterling and Francine Clark Art Institute celebrates the monumental painting Fumée d’Ambre Gris and provides insight into the remarkably talented work of John Singer Sargent.

This exhibition focuses on nocturnes, or rendered night scenes, from the Carter’s works-on-paper collection, highlighting the night as a constant source of artistic inspiration from the still quiet of abandoned places to the bright lights of the bustling city.

This exhibition of paintings and sculptures selected from the Carter’s extensive collection offers visitors an opportunity to gain insight into the works of Frederic Remington and Charles M. Russell, two of the greatest practitioners of the art of the American West.