Coming Through the Rye
1902, cast ca. 1916
Cast by Roman Bronze Works
30 7/8 x 29 3/4 x 28 1/4 in.
No. 12 of an estimated 15 authorized casts, the first 8 of which were numbered lifetime casts. An additional two unnumbered prototypes were produced in the artist's lifetime. [estate cast]
On the base: Copyright by. \ Frederic Remington
Plaque adhered to side of the base: PRESENTED TO MR. A. BARTON HEPBURN \ BY THE OFFICERS OF THE CHASE NATIONAL BANK OF THE CITY OF NEW YORK \ AS A TOKEN OF THEIR ADMIRATION AND AFFECTION FOR A PERSONAL FRIEND, A PROFOUND SCHOLAR, AND A BRILLIANT BANKER \ ALBERT H. WIGGIN GERHARD M DAHL WILLIAM E. PURDY M. HADDEN HOWELL \ EUGENE V. R. THAYER ALFRED C. ANDREWS CHARLES D. SMITH S. FREDERICK TELLEEN \ SAMUEL H. MILLER CHARLES C. SLADE WILLIAM P. HOLLY ROBERT I. BARR \ EDWARD H. TINKER EDWIN A. LEE GEORGE H. SAYLOR SEWALL S. SHAW \ CARL J. SMIDLAPP LEON H. JOHNSTON \ JANUARY 1, 1918
Inside the base, inscribed: N[o] 12
On the side of the base: ROMAN BRONZE WORKS N- Y-
Amon G. Carter Collection
Amon Carter Museum of American Art, Fort Worth, Texas, Amon G. Carter Collection
How do artists portray action and adventure?
How do artists create a sense of movement, motion, or action in their artworks?
How might artists take experiences and apply them to different mediums?
How does the depiction of action in sculpture compare and contrast to action in an illustration or in literature?
Using stencils, create an action-packed cowboy scene. If you have time, write the story of your cowboys.
Share Educator Resources
Amon Carter Disclaimer
This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.