This special exhibition showcases the work of three of America’s most beloved photographers–Berenice Abbott, Margaret Bourke-White, and Walker Evans–and offers new insight into the flourishing genre of documentary photography during the 1930s.

This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.

Procession is the first comprehensive museum exhibition on Norman Lewis, a pivotal figure in the Harlem art community. Lewis’ masterful ability to integrate social issues with abstraction creates an exhibition that is as intellectually stimulating as it is beautiful.

Showcasing the outstanding collection of the Speed Art Museum, this exhibition highlights the prints of James McNeill Whistler, who pushed the medium into new directions through ethereal river scenes and daringly modern depictions of family and friends.

The Carter houses one of the great collections of American art, from historical landscapes captured on canvas to city streets seen through the lens of a camera. We’re regularly changing out these works, so each time you visit, you know you’ll encounter something you haven’t seen before.

This exhibition features monumental works from the artists of the Hudson River School, highlighting their reverence for landscapes through their depiction of natural sites as resources for spiritual renewal as well as potent symbols for culture and history.

This exhibition introduces Archibald Motley’s colorful canvases to a wider audience, revealing the rich sociological underpinnings of his work. His voyeuristic scenes examine race, gender, and sexuality through their depiction of African American communities.

This exhibition highlights the role of folk and self-taught artists as figures who are central to the shared history of the United States and as active participants in the shaping of American visual culture through a variety of mediums.

American Epics explores the previously overlooked relationship between Thomas Hart Benton’s artwork and movie making. The first major exhibition to feature his life and works in 25 years, it highlights Benton’s unique style and way of storytelling.

This exhibition showcases the evolution of the woodcut, proving that while the methodology of woodblock printing is not much changed over the last century, the pliant medium is capable of bold new forms of artistic expression.

Commissioned for the Carter, this large-scale, site-specific installation looks like frozen, Technicolor vapor. Created out of more than 80 miles of multicolored thread, Plexus no. 34 draws attention to the majestic architecture and natural light of the Museum’s Atrium.