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Through the Door
Object Details
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Date
ca. 1928
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Object Type
Drawings
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Medium
Charcoal on paper
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Dimensions
Image: 14 x 10 in.
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Inscriptions
Verso:
u.l.: Through The door
u.l. stamped: ESTATE OF \ TORR \ HELEN TORR \ #210
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Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
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Accession Number
1985.24
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Copyright
© Courtesy of John and Diane Rehm
Object Description
Personal and professional adversity curtailed the career of Torr, one of America’s pioneering modernists. Working alongside her husband, the painter Arthur Dove, Torr was an early proponent of abstract art in the United States, and she created a range of innovative works while living on Long Island, New York. But while Dove gained critical acclaim through repeated shows at An American Place, the esteemed gallery of Alfred Stieglitz, Stieglitz exhibited Torr’s work only once, in a group show, and she eventually gave up trying to secure exhibitions. In 1939, when Dove became ill, she sacrificed her career as an artist to care for him.
Through the Door exemplifies Torr’s unique approach to composition, in which she devised flat, tonally rich arrangements filled with voluminous, carefully structured forms. She rarely identified the sources for her imagery, but this scene may portray a view looking out from inside the hull of the Mona, a sailboat that Dove and Torr lived in seasonally from 1922–33.
—Text taken from the Carter Handbook (2023)
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Revealed Treasures: Drawings from the Permanent CollectionOctober 21, 2001–February 10, 2002
This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.
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Arthur Dove: Miniature LaboratoriesMay 13–August 27, 2023
Drawn primarily from the Carter’s collection, Arthur Dove: Miniature Laboratories examines a selection of small works created when Dove was confined in his home and the surrounding area in Long Island, NY, due to health issues.
Additional details
Location: Off view
See more by Helen Torr
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