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  • "The Red Lion: The Hermetic World of Jon Van der Meer" by Scott Gentling. n.d.

    www.cartermuseum.org/.../red-lion-hermetic-world-jon-van-der-meer-scott-gentling-nd-a20160190309024001
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  • Business Card and Invoice Kerry M. Price. March 8, 1985.

    www.cartermuseum.org/.../business-card-and-invoice-kerry-m-price-march-8-1985-a20160190306004020
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  • "A Chaffinch, Bullfinch, and Greenfinch on a Branch of Budding Chestnuts" by John James Audubon. n.d.

    www.cartermuseum.org/.../chaffinch-bullfinch-and-greenfinch-branch-budding-chestnuts-john-james-audubon-nd
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    Score: 1.2684062
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  • "When Tenochtitlan-Tlatelolco capitulated to Hernan Cortes and his Indian Allies." n.d.

    www.cartermuseum.org/.../when-tenochtitlan-tlatelolco-capitulated-hernan-cortes-and-his-indian-allies-nd
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  • RSVP Card for the Opening of The Gentling Paintings: Of Birds and Texas. September 19, 1986.

    www.cartermuseum.org/.../rsvp-card-opening-gentling-paintings-birds-and-texas-september-19-1986
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  • "Human Sacrifice During the 18th Month of the Aztec Ceremonial Calendar." n.d.

    www.cartermuseum.org/.../human-sacrifice-during-18th-month-aztec-ceremonial-calendar-nd-a20160190313016002
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  • Carolina, Texas Tech University, Lubbock, Texas, to Scott and Stuart Gentling. n.d.

    www.cartermuseum.org/.../carolina-texas-tech-university-lubbock-texas-scott-and-stuart-gentling-nd
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    Score: 1.2684062
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  • "Two Flint/Three House" The Original Story by Max W. Carlson. 2001.

    www.cartermuseum.org/.../two-flintthree-house-original-story-max-w-carlson-2001-a20160190312008002
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  • Invitation to "Cosmology and the Supernatural: The Role of Art in Olmec Civilization" by Kent Reilly. April 29.

    www.cartermuseum.org/.../invitation-cosmology-and-supernatural-role-art-olmec-civilization-kent-reilly-april-29
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  • Introduction from "Talking to Texas Writers, Twelve Interviews" by Patrick Bennett. 1980.

    www.cartermuseum.org/.../introduction-talking-texas-writers-twelve-interviews-patrick-bennett-1980
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  • "The Red Lion: The Hermetic World of Jon Van der Meer" Tablet I Draft. n.d.

    www.cartermuseum.org/.../red-lion-hermetic-world-jon-van-der-meer-tablet-i-draft-nd-a20160190309012001
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    Score: 1.2684062
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  • "The Red Lion: The Hermetic World of Johannes Van der Meer" by Scott Gentling. n.d.

    www.cartermuseum.org/.../red-lion-hermetic-world-johannes-van-der-meer-scott-gentling-nd-a20160190310003001
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  • David Holman Biography and List of Works Published at Wind River Press. n.d.

    www.cartermuseum.org/.../david-holman-biography-and-list-works-published-wind-river-press-nd-a20160190305013025
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  • John Adkins, Houston, Texas, to Mr. Gentling. July 31, 1986.

    www.cartermuseum.org/.../john-adkins-houston-texas-mr-gentling-july-31-1986-a20160190305017001
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    Score: 1.2684062
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  • A.C., Center for Texas Studies, Denton, Texas, to Stuart Gentling. July 6, 1987.

    www.cartermuseum.org/.../ac-center-texas-studies-denton-texas-stuart-gentling-july-6-1987-a20160190305018024
    Archive
    Score: 1.2684062
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  • Stuart Gentling, to Judith Cressy, Managing Editor, Arts and Antiques. August 26, 1987.

    www.cartermuseum.org/.../stuart-gentling-judith-cressy-managing-editor-arts-and-antiques-august-26-1987
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  • "The Obverse of the Codex of Cholula" Part I, by Michael Lind. August 7, 1993.

    www.cartermuseum.org/.../obverse-codex-cholula-part-i-michael-lind-august-7-1993-a20160190311021003
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  • "The Xiuhtlalpilli, Rulership, and the Cult of Fire" Manuscript by Stuart Gentling. July 3, 1993.

    www.cartermuseum.org/.../xiuhtlalpilli-rulership-and-cult-fire-manuscript-stuart-gentling-july-3-1993
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  • "One Reed/Two Fline" The Original Story by Max W. Carlson. 2001.

    www.cartermuseum.org/.../one-reedtwo-fline-original-story-max-w-carlson-2001-a20160190312008001
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    Score: 1.2684062
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  • Marty & Pat's Frame Shoppe & Art Gallery Invoice. December 1, 2001.

    www.cartermuseum.org/.../marty-pats-frame-shoppe-art-gallery-invoice-december-1-2001-a20160190204039026
    Archive
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Amon Carter Museum of American Art

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The Amon Carter Museum of American Art is supported, in part, by the generosity of Carter members and donors, and by grants from Arts Fort Worth, the City of Fort Worth, the Fort Worth Tourism Public Improvement District, and the Texas Commission on the Arts.

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