Draft text. n.d.

Client Card [Borglum, Lincoln, Hermosa, SD; Evans, W. Leon, Mount Rushmore National Memorial, Keystone, SD; Wilder, William, Pierre, SD; Mount Rushmore National Memorial, Keystone, SD; Hawn, John, Corpus Christi, TX; Ellsworth, Paul; Carter, L. A., Corpus

The Four Sacred Mountains. n.d.

Style sheet for The Enduring Navaho. n.d.

Nancy Newhall, Rochester, New York, to Laura Gilpin. January 22, 1969.

Style Sheet for the Enduring Navaho by Laura Gilpin. Undated

Douglas W. Schwartz, Director, School of American Research, Santa Fe, New Mexico, to Laura Gilpin. March 27, 1978.

Miss E. Boyd, Curator, Spanish Colonial Department, Museum of New Mexico, Santa Fe, New Mexico, to Laura Gilpin. September, 1962.

Draft text about tribal government. n.d.

Text drafts. n.d.

Louis H. Laney, District Agent, United States Department of the Interior Fish and Wildlife Service, Albuquerque, New Mexico, to Eliot Porter. September 3, 1959.

Draft text. n.d.

Son of Vicenti

The Enduring Navaho draft. n.d.

1st draft. n.d.

Manuscript text. n.d.

Laura Gilpin, Santa Fe, New Mexico, to Jerry Bywaters, Dallas Museum of Fine Arts. August 10, 1954.

A Dash for the Timber

Client Card [Hoffman, Malvina, New York City, NY; Liberty Mutual Insurance Co.; Bob Scriver Taxidermy and Art Studio, Browning, MT; Holt, Charlotte, River Forest, IL; St. Mary's Hospital, Rochester, MN]

Captions for photographs for publication. n.d.