


Artwork Images
Photo:
Controls
Crow Creek Agency, D. T.
Object Details
-
Date
1884
-
Object Type
Paintings
-
Medium
Oil on canvas
-
Dimensions
Image: 24 5/8 x 51 3/4 in.
-
Inscriptions
Recto:
signed and dated: l.l.: W. Ful[er] 18[8]4.
Verso:
inscribed l.l. : Crow Creek Agency \ Painted By \ William Fuller \ Carpenter at \ Crow Creek Agency D.T. \ 1884.
inscribed u.c. to c.c.: 1. White Ghost, Chief \2. Drifting Goose, " Coat 210 \ 3. Wizi \ 4. Mark Wells, h.b. Interpreter \ 5. Wallace Wells, Boss Farmer. \ 6. ["Group of 3" written in brackets, vertically] Surrounded, \ Whipper, \ ["6" crossed out] Burnt Prairie, \ 7. Hobo & Sioux maiden (Courting) \ 8. Tepees, \ 9. Episcopal Church. \ 10. " Rectory \ 11. Boys Dormitory \ 12. Government. School \ 13. Girls Dormitory. \ 14. Camp School.
inscribed u.r. to c.r.: Government Buildings \ 15. Granary. \ 16. Blacksmith Shop. \ 17. Officer's Quarters. \ 18. Post Office. \ 19. Issue House. \ 20. Mill. \ 21. Saw Mill. \ 22. Post Traders. Store. \ 23. W. Well's House \ 24. Gov. Barn \ 25. Supply Store House. \ 26. Carpenter Shop \ 27. Upper Missouri Boat Landing. \ 28. Gov. Office. \ 29. Agents Residence \ 30. Employees Houses. \ 31. Jail \ 32. Hospital. \ 33. School Farm \ 34. Agency " \ 35. Natural Grove of Box Elders
[removed] label in ink: 3978 Primitive Oil \ "Crow Creek Agency \ By William Fuller 1884 \ Canvas \ 20 x 30 [sic]
[removed] printed label: ARTIST Fullar, [sic] William [typewritten] DATES \ TITLE Crow Creek Agency, D. T. , [typewritten] \ 1884 [typewritten] \ SIZE and MEDIUM 243/4 x 511/2" oil/canvas [typewritten] \ STOCK NO A16021 [typewritten] \ NEG. NO. 8991 [typewritten] \ KENNEDY GALLERIES, INC. \ 20 East 56TH STREET • NEW YORK, N.Y. 10022 \ Established 1874 by H. Wunderlich 758-3850
-
Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas, In memory of René d'Harnoncourt, Trustee, Amon Carter Museum of American Art, 1961-1968
-
Accession Number
1969.34
-
Copyright
Public domain
Object Description
A carpenter by trade, Fuller worked at the Crow Creek Indian Agency in present-day South Dakota, but every other year he took time off to paint. This 1884 work shows gridded streets and farm fields, signs of efforts to assimilate the reservation’s Indigenous residents into White society and culture. Fuller’s painting also includes a portrait in the lower left of White Ghost, the leader of the Lower Yanktonai, holding a tobacco pipe. Although White Ghost had agreed to relocate his people to the reservation, he remained skeptical of U.S. governance. In 1875, he opposed plans to construct a mission school in his camp, declaring, “the white man picks out a little piece of land on which to build a house. Then he puts a fence around it, and after a while he builds a larger fence around that, and then a larger fence around that. . . . That is the way the Indians have been treated all along.”
—Text taken from the Carter Handbook (2023)
Additional details
Location: Off view
See more by William Fuller
Tags
Amon Carter Disclaimer
This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.
Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.
Related Works
-
Parson Weems' Fable, 1939
Grant Wood
Oil on canvas
1970.43 -
The Time Game, 2011
Jane Hammond
Gelatin silver print
P2011.29 -
Weeping Beech, Brooklyn Botanic Garden, Brooklyn, 2011
Mitch Epstein
Gelatin silver print
P2012.13 -
A Closet Door, 1904-1906
John Frederick Peto
Oil on canvas
1983.158 -
Sunrise, Yosemite Valley, ca. 1870
Albert Bierstadt
Oil on canvas
1966.1 -
Zerogram, 2017
Ellen Carey
Dye coupler print
P2018.40 -
Blips and Ifs, 1963-1964
Stuart Davis
Oil on canvas
1967.195 -
Green Nude, ca. 1920
Gaston Lachaise
Crayon on paper
2018.4 -
Martha Graham - Letter to the World (Swirl), 1940
Barbara Morgan
Gelatin silver print
P1974.21.17