Amon Carter print details

An American Girl

Bessie Potter Vonnoh (1872-1955)

Object Details

  • Date

    1895

  • Object Type

    Sculptures

  • Medium

    Tinted plaster

  • Dimensions

    14 1/2 x 10 1/2 x 11 1/2 in.

  • Inscriptions

    Signed, on back of base: Potter

    underneath base: Bessie Potter \ Vonnoh [likely added after 1915]

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas, Purchase with funds from the Ruth Carter Stevenson Acquisitions Endowment

  • Accession Number

    1993.1

  • Copyright

    Public domain

Object Description

During the 1890s, Vonnoh began sculpting small-scale portraits of wealthy Chicago women. Modeled in clay and cast in plaster, these statuettes, which she called “Potterines,” drew widespread praise for their vigorous modeling, intricate drapery, and lifelike compositions. Vonnoh excelled in conveying spontaneity through gesture and pose—one critic described her plasters as “instantaneous photographs in clay of ever graceful people”—and her figures often appear to converse with someone outside the composition.

Portraying wealthy White Americans, Vonnoh’s statuettes reinforce her era’s prevailing norms and expectations for femininity. The generic title of this work situates the figure as more than a portrait of a specific person; she appears as an archetype of ideal dress, comportment, and temperament.

—Text taken from the Carter Handbook (2023)

Additional details

Location: On view
W28-artist-CMYK-CarterBlack
See more by Bessie Potter Vonnoh

Tags

Educator Resources
  • How have the roles of women changed in the United States over time?

    In what ways might the place of display impact the meaning and reception of a work of art?

    What roles can art play in the everyday lives of people?

    Why might an artist choose to create a work of art with materials that are readily available? Why might they choose materials that are more rare or costly?

Amon Carter Disclaimer

This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.

Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.