Contemporary Indigenous Photography
Native North American photographers, active since the late 19th century, only gained artistic recognition in the 1990s. Engaging the concepts of survivance and visual sovereignty, these artists’ works celebrate the resilience of their home communities, cultural heritage, and right to self-representation. Their production, a term that describes both their artwork and practice, also questions the socio-political and environmental legacy of settler colonialism and responds to the myriad Euro-American depictions of Indigenous peoples that shaped public perception of them and their communities.
The Carter holds artwork by over 25 contemporary Indigenous photographers from across North America, including Alaska, Hawaii, and Canada. The collection surveys the visual strategies and themes employed by these artists and illustrates their important contributions to American art. Many of the photographs in this growing collection appeared in the Carter’s 2022 exhibition Speaking with Light: Contemporary Indigenous Photography.
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Queer Rage, P.S. Your Parents Are Nuts, p73 from Indigenous Woman, 2018
Martine Gutierrez
Dye coupler print
P2023.18 -
Leave To Me Your Memories, 2022
Meryl McMaster
Inkjet
P2023.21 -
'Au'a, 2019/2022
Kapulani Landgraf
15 inkjet prints with audio
P2023.13 -
Neo-Indeo, Cakchi Lana Caliente, p29 from Indigenous Woman, 2018
Martine Gutierrez
Dye coupler print
P2023.12 -
So' IV, 2022
Dakota Mace
40 chemigrams (gelatin silver prints with chemical overlay)
P2023.11 -
Audrey Siegl, 2019
Kali Spitzer
Dye coupler print with audio
P2023.22 -
Bayous Meander, Trees Remember, Water Heals, Roots Meander, 2022
Sarah Sense
Set of four inkjet prints, rice and bamboo paper, wax, tape
P2022.27 -
Everett Waller, 𐓺𐓪͘𐓺𐓪𐓧𐓣 𐓷𐓘𐓧𐓩𐓘𐓯𐓣 (Hominy Whipman), 2021
Ryan RedCorn
Dye diffusion thermal transfer print on white polyester fabric
P2022.2 -
Nest of Apparitions - Mopii'ar Kiiy Akaawkoc, 2013
Mercedes Dorame
Inkjet print
P2022.3 -
Beat Them Savages, San Francisco, California/Praise Them Savages, Salt Lake City, Utah, 1999
Zig Jackson
Gelatin silver prints
P2021.2 -
Buffalo Enclosure, Golden Gate Park, San Francisco, California, 1997
Zig Jackson
Inkjet print
P2021.4 -
Talking Tintype: Casey Camp-Horinek, Citizen of the Ponca Tribe of Oklahoma, “Zhuthi,” Tribal Council Woman, Leader of Ponca Scalp Dance Society, Sundancer, Delegate to UN Permanent Forum on Indigenous Issues, Matriarch of Wonderful Family (grandmothe, 2016
Will Wilson
Inkjet print
P2021.1.1 -
Hutchinson Island, Georgia, 1999
Zig Jackson
Gelatin silver print
P2021.3 -
Two Women Photographing, Taos, New Mexico, 1992
Zig Jackson
Gelatin silver print
P2021.5 -
War Mothers, Howard and Leroy Crow Flies Hight, Fort Berthold Indian Reservation, North Dakota, 1995
Zig Jackson
Inkjet print
P2021.6 -
Cowgirl, Custer, and Young Impressions, 2018
Sarah Sense
Inkjet prints, bamboo and rice paper, wax
P2021.8 -
Nothing Happened Here #10, 2016
Jeremy Dennis
Inkjet print
P2021.9 -
Indian Man on the Bus, Mission District, San Francisco, California, 1994
Zig Jackson
Inkjet print
P2021.7 -
Anna Rae Funmaker, 2015
Tom Jones
Inkjet print
P2021.50 -
Arlene Greengrass-Rodriguez, 2017
Tom Jones
Inkjet print
P2021.51 -
Evolvers, 2019
Cara Romero
Inkjet print
P2021.55 -
Grandma, 2003
Hulleah Tsinhnahjinnie
Inkjet print
P2021.57 -
Harold Blackdeer Jr., 2006
Tom Jones
Inkjet print
P2021.53 -
Henry Decorah, 2014
Tom Jones
Inkjet print
P2021.52 -
Honouring Maria, 2019
Kali Spitzer
Dye coupler print with audio
P2021.59 -
The Collector/The Artist in Her Museum, 2005
Rosalie Favell
Inkjet print
P2021.56 -
Water Memory, 2015
Cara Romero
Inkjet print
P2021.54 -
Peyton Grace Rapp, 2017
Tom Jones
Inkjet print with glass beads
P2021.49 -
Supernatural Spirits and Animals, 2019
Nicholas Galanin
Dye coupler print with audio component
P2021.43 -
Haunted House Trope, 2019
Jeremy Dennis
Inkjet print
P2021.13 -
Moshop's Toe, 2017
Jeremy Dennis
Inkjet print
P2021.11 -
Signal, 2018
Jeremy Dennis
Inkjet print
P2021.12 -
The Girl-Chenoo 2, 2016
Jeremy Dennis
Inkjet print
P2021.10 -
Teją́. The Sea. It's neither our name for the great lakes or lesser lakes. It's the sea, and we said we were from the north and from the salt. It's too much right now. Too much like learning that my father performed the Breathings his entire life. I hav, 2020
Sky Hopinka
Inkjet print with etched words
P2021.30 -
The clouds are too dull this time of year. It's late June and I'm full of anger and hate. They think we're trash, they think we're as useless as our garbage buried in their fields turned up under plow, exposed in heavy rain. It makes me angry to think abo, 2020
Sky Hopinka
Inkjet print with etched words
P2021.31 -
Get Comfortable, 2012
Nicholas Galanin
Dye coupler print
P2021.42 -
Chippewa, 2006
Tom Jones
Inkjet print
P2021.48 -
Gar-Non-De-Yo, 2015
Shelley Niro
Inkjet print
P2022.1 -
Hung to Dry (Hunter's Point, Arizona), 2017
Rapheal Begay
Inkjet print
P2022.4 -
Lines (2), 2022
Dylan McLaughlin
Inkjet print and audio
P2022.5 -
Carlsbad (Payómkawichum) 07.24.17, 2017
Lewis deSoto
Inkjet print
P2021.15 -
Comanche, Kiowa, 2014
Jason Lujan
Serigraph
P2021.45 -
Masks, Masks, and More Masks, 2006
Larry McNeil
Inkjet print
P2016.85 -
Tonto's TV Script Revision, 2006
Larry McNeil
Inkjet print
P2016.86 -
Vanishing Race 101, 2005
Larry McNeil
Inkjet print
P2016.87 -
Cape Kiawanda, Oregon, 1963
Walter Chappell
Gelatin silver print
P1999.22 -
Mauna Kea, Hawaii, 1979
Walter Chappell
Gelatin silver print
P1999.24 -
Metaflora Series, Shark's Tooth, 1974
Walter Chappell
Gelatin silver print
P1999.25 -
Webatuk Marble Quarry, New York, 1962
Walter Chappell
Gelatin silver print
P1999.23 -
Desert Storm, 1991
Victor Masayesva Jr.
Gelatin silver print with applied pigment
P1997.50 -
Tuwaponga (Earth Altar) II, 1993
Victor Masayesva Jr.
Gelatin silver print with applied pigment
P1997.51 -
Buffalo Boys, 1982
Victor Masayesva Jr.
Gelatin silver print
P1992.9.2 -
Leaving the Hunt Behind, 1990
Victor Masayesva Jr.
Gelatin silver print with applied oil paint
P1992.9.1