Amon Carter print details
Location: On view

Red Cannas

Georgia O'Keeffe (1887-1986)

Object Description

O’Keeffe began painting flowers in the mid-1920s as a continuation of her experiments with compositions that bordered on abstraction. Unveiled at the New York gallery run by her husband, the photographer and art dealer Alfred Stieglitz, these works were an immediate sensation.

In pictures such as Red Cannas, O’Keeffe devised a modernist style of close-up, tightly cropped, and vibrantly colored imagery that presented viewers with a radical new way of imagining and perceiving the natural world. Critics soon attempted to explain the significance of her floral imagery, including Stieglitz, who offered explicitly erotic interpretations that O’Keeffe opposed. She maintained that her paintings were best understood as expressions of her unwavering commitment to creative independence. “Before I put a brush to canvas,” she explained, “I question, ‘Is this mine? Is it all intrinsically of myself? Is it influenced by some idea or some photograph of an idea which I have acquired from some man?’”

—Text taken from the Carter Handbook (2023)

Object Details

  • Date

    1927

  • Object Type

    Paintings

  • Medium

    Oil on canvas

  • Dimensions

    36 1/8 x 30 1/8 in.

  • Inscriptions

    Verso:

    u.c. on canvas in white paint: Georgia O'Keeffe \ 1927

    u.r. on stretcher in ink: Georgia O'Keeffe-1927-Red Cannas

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas

  • Accession Number

    1986.11

  • Copyright

    Public domain

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Teacher Resources

  • How do artists use scale and proportion to create a unique composition?

    In what ways do color, line, and shape affect the mood of a work of art?

    How might a work of art, based on a natural object, compare to a scientific drawing of the same object?

  • All Levels

    Give students viewfinders, objects, pencils, and paper. They will use their viewfinders to focus on one part of an object. They will then sketch a close-up of that section on their paper so that they can practice looking at very small details.

    Take students outside to photograph nature using tablets or smartphones. Students should bring the lens very close to the object and look carefully to set up their composition before snapping a photograph.

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