Amon Carter print details

Light Coming on the Plains No. II

Georgia O'Keeffe (1887-1986)

Object Details

  • Date

    1917

  • Medium

    Watercolor on newsprint paper

  • Dimensions

    11 7/8 x 8 7/8 in.
    Mount: 12 x 9 1/8 in.

  • Inscriptions

    [None]

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas

  • Accession Number

    1966.32

  • Copyright

    © Amon Carter Museum of American Art

Object Description

In 1916, O’Keeffe accepted a position teaching art at West Texas State Normal College in Canyon, Texas. Outspoken and eccentric, she struggled to make connections in the community, but she found inspiration and rejuvenation in the vastness of the Panhandle landscape. “The wonderful great big sky makes me want to breathe so deep that I’ll break,” she exclaimed in a letter to the dealer Alfred Stieglitz, one of many occasions in which she praised the natural beauty of West Texas.

In 1917, O’Keeffe produced a sequence of three small watercolors, including this one, chronicling sunrise. Working on sheets of newsprint, she layered fluid washes of ultramarine pigment, creating concentric bands of color that suggest the gradual diffusion of sunlight into the morning sky. Acquired directly from the artist following her 1966 retrospective at the Carter, these three watercolors offer a remarkable record of her early forays into abstraction.

—Text taken from the Carter Handbook (2023)

Additional details

Location: Off view
W28-artist-CMYK-CarterBlack
See more by Georgia O'Keeffe

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Educator Resources
  • How do artists create light in their artworks?

    Why might an artist return to the same subject multiple times or in multiple works of art?

    Why might artists limit their color palettes?

    How does an artist's choice of medium and materials impact an artwork?

    How do artists determine which geographical features should be highlighted in portrayals of a nation?

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