Amon Carter print details

Night Coming Tenderly, Black: Untitled #4 (Leaves and Porch)

Dawoud Bey (b. 1953)

Object Details

  • Date

    2017

  • Object Type

    Photographs

  • Medium

    Gelatin silver print

  • Dimensions

    Image: 44 x 55 in.
    Sheet: 48 x 59 in.

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas, Purchase with funds provided by the Photo Forum

  • Accession Number

    P2019.6

  • Copyright

    © 2017 Dawoud Bey

Additional details

Location: Off view
W28-artist-CMYK-CarterBlack
See more by Dawoud Bey

Tags

Educator Resources
  • What is the role of artists in helping to process local and national events?

    Is there a difference between memorializing a traumatic event and processing it?

    How do time and context change the way we think about historical events?

    What roles can photography play in documenting lives and events?

    How might the style, color palette, and composition affect the mood of a work of art?

    How might an artist’s identity and lived experiences shape the content of their work?

  • How was this image created?

    Where do you think you might see an image like this? Could it be a still from a movie? An image in a newspaper? A photograph in someone’s home? An illustration in a textbook?

    What do you think the artist is showing us from this perspective? What is the focal point? Why do you think Bey chose to take the photograph from this angle?

    What if I told you that this was a photograph about history? Which time period do you think it could be about? This is a contemporary image of a place thought to be a stop of the Underground Railroad. Why was the Underground Railroad an important feature of U.S. History? How does this photograph depict that history?

    What is the mood of this photograph? How does this image make you feel? How does sensory information affect mood (for example, I see a porch, I hear the wind shaking the branches of the bush, I feel the mildewed grass)? Why might it have mattered to the artist to portray mood in this work?

    How would this photograph change if the picture had been taken on a sunny day? What if the perspective was straight on of the door and porch? How would this have changed the mood of the photograph?

    If you could enter this photograph right now, keeping in mind the mood, what do you think you might hear? What song would you assign to this scene? Why?

    Bey’s series Night Coming Tenderly, Black was inspired by a poem written by Langston Hughes titled "Dream Variations":

    To fling my arms wide
    In some place of the sun,
    To whirl and to dance
    Till the white day is done.
    The rest at cool evening
    Beneath a tall tree
    While night comes on gently,
         Dark like me—

    That is my dream!
    To fling my arms wide
    In the face of the sun,
    Dance! Whirl! Whirl!
    Till the quick day is done.
    Rest at pale evening …
    A tall, slim tree …
    Night coming tenderly
         Black like me.

    How does hearing the poem while viewing the photograph change the impact of the artwork? How can poetry work in collaboration with art?

    How might this photograph relate to current events? Is there a difference between memorializing a traumatic event and processing it? Which do you think this photograph doing? Why?

  • Grades 6–12

    Students should consider and discuss the following prompts:

    • How might Dawoud Bey’s identity as a Black man shape the themes and content in his work?
    • How might your identity shape the topics that are important to you and the way that you would approach them in your art?

     

Amon Carter Disclaimer

This information is published from the Carter's collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the Carter’s values. If you have corrections or additional information about this object please email us to help us improve our records.

Every effort has been made to accurately determine the rights status of works and their images. Please email us if you have further information on the rights status of a work contrary or in addition to the information in our records.