Light Coming on the Plains No. I
Object Details
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Date
1917
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Medium
Watercolor on newsprint paper
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Dimensions
11 7/8 x 8 7/8 in.
Mount: 12 x 9 1/8 in. -
Inscriptions
Recto:
[removed] titled, dated, and inscribed: Light Coming on the Plains No. I \ 1917 \ Water Color on Paper
inscribed: 12 x 9 Baker 24-694
Verso:
[removed] printed white label: AMON CARTER MUSEUM \ EXHIBIT DATE 1917 [typewritten] \ TITLE LIGHT COMING ON THE PLAINS I [typewritten] \ ARTIST Georgia O'Keeffe [typewritten] \ MEDIUM watercolor [typewritten] \ DIM. 11 7/8 x 8 7/8" [typewritten] \ CREDIT Amon Carter Museum, Fort Worth, Texas [typewritten] \ 1966.30 [in graphite] \ 3501 CAMP BOWIE BOULEVARD MAIL ADDRESS BOX 2365 FORT WORTH TEXAS 76101
[removed] printed white label: [insignia for University of Texas at Austin] The Archer M. Huntington Art Gallery \ The University of Texas at Austin \ Exhibition: IMAGES OF TEXAS [typewritten] [dotted underline] \ [dotted underline] \ Dates: FEB. 25-APRIL 10, 1983 [typewritten] [dotted underline] \ Catalogue Number: 68 [typewritten] [dotted underline] \ 30.66 [in graphite]
[removed] printed white label: [torn]ST GEORGIA O'KEEFFE [typewritten] NO. 39 [typewritten] [underlined] \ TITLE LIGHT COMING ON THE PLAINS I [typewritten] DATE 1917 [typewritten] [underlined] \ MEDIUM WATERCOLOR [typewritten] SIZE 9x12 [typewritten] S.P. NFS [typewritten] [scribble in graphite across label] \ [double line] \ THE DOWNTOWN GALLERY • 32 E. 51st St., New York \ [double line] \ Jun 24 1963 [stamped in black ink] 1966.30 [in graphite]
[removed] printed white label: AMARILLO ART CENTER \ EXHIBIT Between the Wars [ typewritten] NO. 29 [typewritten] [underlined] \ ARTIST Georgia O'Keeffe [typewritten] [underlined] \ TITLE Light Coming on the Plamins[sic], I [typewritten] \ watercolor 1917 [typewritten] \ MEDIA [underline] DATE [underline] \ AMARILLO, TEXAS \ 30.66 [in graphite]
[removed] printed label with red border: #39 [in graphite] OK [in ink] NFS [in ink] No I [in ink] \ Georgia O'Keeffe \ Abiquiu, N. M. \ Title: Light Coming on the Plains [in ink] \ Year: 1917 [in ink] \ Medium: Water Color on Paper [in ink] \ Base: \ Photograph # Baker 24-694 [in ink] \ 1966.30 [in graphite]
[removed] printed label: GEORGIA O'KEEFFE EXHIBITION \ MAY 28 to JULY 3, 1966 \ THE MUSEUM OF FINE ARTS, HOUSTON \ 1966.30 [in graphite]
[removed] printed label: AMON CARTER MUSEUM \ PAINTINGS BY [typewritten] \ EXHIBIT GEORGIA O'KEEFFE [typewritten] DATE March, 1966 [typewritten] \ TITLE LIGHT COMING ON THE PLAINS NO. I[I underlined and inscribed over in ink] [typewritten] \ 1917 [typewritten] \ ARTIST Georgia O'Keeffe [typewritten] \ MEDIUM Watercolor [typewritten] \ Dim. 12" x 9" [typewritten] \ CREDIT Georgia O'Keeffe [crossed out in ink] Amon Carter Museum [in ink] \ BOX NO. Fort Worth, Texas [in ink] \ 1966.30 [in graphite]
\ 3501 CAMP BOWIE BOULEVARD MAIL A[torn] BOX 2365 FORT WORTH, TEXAS 76101
[removed] printed white label: LENDER Amon Carter Museum of Western Art [typewritten] \ DMFA EXHIBITION THE LOAN COLLECTION FOR THE VICE [typewritten] \ PRESIDENT'S RESIDENCE, March 1 '78 - March 31, '79 [typewritten] \ ARTIST Georgia O'Keeffe [typewritten] \ TITLE Light Coming on the Plains, I [typewritten and underlined] \ DATE 1917 [typewritten] RECEIPT [struck through] No. 20 [typewritten] BOX [struck through] CRATE XIV [typewritten] \ dallas museum of fine arts - fair park - dallas, texas \ W-103 \ 1966.30 [in graphite]
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Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas
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Accession Number
1966.30
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Copyright
© Amon Carter Museum of American Art
Object Description
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Revealed Treasures: Drawings from the Permanent CollectionOctober 21, 2001–February 10, 2002
This exhibition of drawings spanning the 19th and 20th centuries represents the evolution of the medium from preliminary outlines for other artistic media to a modern means of self-expression in its own right.
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The Allure of Paper: Drawings and Watercolors from the CollectionJuly 9–October 9, 2011
This special exhibition showcases one-of-a-kind works on paper never before exhibited together, chronicling the sweeping changes that occurred in American art over the course of nearly 200 years from portraiture and history painting to modernism and abstraction.
Additional details
Tags
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How do artists create light in their artworks?
Why might an artist return to the same subject multiple times or in multiple works of art?
Why might artists limit their color palettes?
How does an artist's choice of medium and materials impact an artwork?
How do artists determine which geographical features should be highlighted in portrayals of a nation?
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