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An American Girl
Object Details
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Date
1895
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Object Type
Sculptures
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Medium
Tinted plaster
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Dimensions
14 1/2 x 10 1/2 x 11 1/2 in.
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Inscriptions
Signed, on back of base: Potter
underneath base: Bessie Potter \ Vonnoh [likely added after 1915]
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Credit Line
Amon Carter Museum of American Art, Fort Worth, Texas, Purchase with funds from the Ruth Carter Stevenson Acquisitions Endowment
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Accession Number
1993.1
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Copyright
Public domain
Object Description
During the 1890s, Vonnoh began sculpting small-scale portraits of wealthy Chicago women. Modeled in clay and cast in plaster, these statuettes, which she called “Potterines,” drew widespread praise for their vigorous modeling, intricate drapery, and lifelike compositions. Vonnoh excelled in conveying spontaneity through gesture and pose—one critic described her plasters as “instantaneous photographs in clay of ever graceful people”—and her figures often appear to converse with someone outside the composition.
Portraying wealthy White Americans, Vonnoh’s statuettes reinforce her era’s prevailing norms and expectations for femininity. The generic title of this work situates the figure as more than a portrait of a specific person; she appears as an archetype of ideal dress, comportment, and temperament.
—Text taken from the Carter Handbook (2023)
Additional details
Location: On view
See more by Bessie Potter Vonnoh
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Audio:
Different Perspectives: An American Girl
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How have the roles of women changed in the United States over time?
In what ways might the place of display impact the meaning and reception of a work of art?
What roles can art play in the everyday lives of people?
Why might an artist choose to create a work of art with materials that are readily available? Why might they choose materials that are more rare or costly?
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