Amon Carter print details

Penny Picture Display, Savannah

Walker Evans (1903-1975)

Object Details

  • Date

    1936

  • Object Type

    Photographs

  • Medium

    Gelatin silver print

  • Dimensions

    6 11/16 x 8 1/2 in.

  • Inscriptions

    [None]

  • Credit Line

    Amon Carter Museum of American Art, Fort Worth, Texas

  • Accession Number

    P1987.4.1

  • Copyright

    Public domain

Additional details

Location: Off view
W28-artist-CMYK-CarterBlack
See more by Walker Evans

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Educator Resources
  • What roles can photography play in documenting lives and events?

    What is the value of portraiture? Who gets their portraits taken, and why?

    What factors contribute to the democratization of art?

    What might a group of portraits taken in a community communicate about that place?

    How involved should a government be in supporting the arts?

  • What do you see in this photograph? What is a portrait? Who do you see in the portraits? How are the people posed? What expressions do you see?

    How have the portraits been arranged? Why do you think someone arranged the portraits in such a manner? Why does the word “STUDIO” appear in big letters and almost in the middle of the arrangement of portraits? What does the word “studio” mean? The word studio here was part of an advertisement for the photographer’s services.

    Why do people have their portraits taken? Have you had your portrait taken? Why? What did you wear? How did you pose? Who has your portrait?

    This photograph taken in 1936 is depicting an advertisement for a photography studio in Savannah, Georgia. Why do you think the artist took a photograph of this advertisement? What can we learn from this advertisement?

    Documentary photography is a way to record people, places, and events. The photographer, Walker Evans, was hired by the government during the Great Depression to take documentary photographs. If you were hired to take documentary photographs of your community, what would you focus your camera on? What would you want others to learn about your community?

  • Grades 6–12

    Activity 1
    Students will take photographic portraits of people they know in their own community and assemble the photographs in a grid and select a word to place over their arrangement.

    Activity 2
    Students will research the government programs that supported artists during the Great Depression. Why did the government start these programs? Which artists were enrolled in these programs? Who was excluded from these programs? What was depicted in the artworks commissioned by the government? Where did the artists travel and work? What was the impact on the nation of these programs and the artworks that were produced?

    All Levels

    Students will recreate this work of art and in doing so create a class portrait. Have students bring in a portrait of themselves, or if possible, take pictures of each student. Once the prints are available the students can work together to arrange the photographs in a grid. Then have the students decide on one word to include in their arrangement. Note that the word “studio” appears on this image as it as part of an advertisement for the photographer’s services, not as a word that was chosen by those pictured in the image.

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