Blogs

Director's Vlog 11/13/2012

A Dash for the Timber-Director's vlog 11.13.2012 from Amon Carter Museum on Vimeo.

Dr. Andrew Walker discusses the importance of the museum's relationships and collaborative efforts with other institutions.

Director's Vlog 10/30/2012

Today Dr. Walker discusses the exhibition Larry Sultan’s Homeland: American Story. The artist Dru Donovan, who was a student of Sultan’s, will speak to both his and her work in a free lecture on November 15 at 6 pm.

Registration is required; visit cartermuseum.org for more details. Please join us.

From Blog to Vlog: A New Way to Hear from Our Director

Check in every other week as Dr. Andrew J. Walker posts a video from his office. These video blogs, or “vlogs” as they are called, will address everything from the day-to-day operations of a museum and how new works enter the collection to exciting new exhibitions on view and the latest thoughts on Dr. Walker’s mind.

A Few Words from the Davidson Family Fellow

Through the kind assistance of the amazing Amon Carter Museum of American Art staff and the support of the institution’s Davidson Family Fellowship, I will be researching the many and varied avant-gardist pranks performed by artists on the West Coast during the fall of 2012. These high jinks often involved artists’ working under assumed names and, ultimately, called attention to a Los Angeles art world operating in the shadow of Hollywood—the character-producing machine itself. Examining the calculated intrusions penned by various alter-egos and pseudonyms can ultimately help art historians better understand the context, reasoning, and functionality of the work produced by artists on the West Coast in general, and in particular the Tamarind prints held by the museum by L.A.-based artists Billy Al Bengston, Ed Ruscha, and Ken Price.

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Monica Steinberg
Davidson Family Fellow, Fall 2012

Teacher's Night Out

Tell your teacher friends to head over to the Cultural District tonight from 4:00 until 7:00 for the Evening for Educators in the Cultural District, our annual open house celebrating teachers throughout the metroplex. All of the museums in the Fort Worth Cultural District will be open and free to teachers so come on down, learn about museum programs that will enrich your teaching experience, and see some great art. (There's food and take-aways too!)

Museum staff share ideas with teachers

Museum staff are available to inform you about educator programs and share ideas.

Time to look at American art!

Take a look at museum collections and find out how you can share them with your students.

Teachers meet up and make a night of it.

Meet your friends and make it a night out to remember in the Fort Worth Cultural District!

Synchronicity with Style

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Surprising sighting of stripes on the staff today. Visitors may wear whatever they like.

Happy 4th!

Laura Gilpin (1891-1979), [American Flags] [Boeing, Wichita, Kansas], 1942-1943, gelatin silver print, Amon Carter Museum of American Art, Fort Worth, Texas, Bequest of the artist, P1979.121.49.

Laura Gilpin (1891-1979)
[American Flags] [Boeing, Wichita, Kansas], 1942-1943
Gelatin silver print
© 1979 Amon Carter Museum of American Art, Fort Worth, Texas
Bequest of the artist,
P1979.121.49.

We're Getting Ready!

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We're getting ready for Story1ime!.jpg

Be sure to join us for Hello Yellow Storytime next Wednesday.
We're working hard to get the awesome art projects ready for visitors to take home.

Don't forget to wear yellow!

How the Regional becomes National

Late in April I had the privilege of delivering the keynote address at the 10th Annual Symposium of the Center for the Advancement and Study of Early Texas Art, or CASETA. This association of collectors, dealers, and scholars has passionately devoted a decade to expanding the understanding of Texas art and art history, focusing on the state’s tremendous regional artistic impact since the late nineteenth century. In the short time that I have been a resident of Texas, I have been impressed with the many discoveries and untold stories of artists as wide ranging as Frank Reagh and Everett Spruce.

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The Amon Carter Museum of American Art is an institution committed to the story of American art and visual culture, and we want to understand the “regional” in relationship to our larger national story. As we continue to develop plans for the growth of the collection, that relationship—the regional to the national—is vital. I can imagine the day when works by Reagh and Spruce hang beside paintings by George Inness and Grant Wood. Expanding the canon of art in this way inevitably involves the community of collectors of early Texas art.

But how to get started in this partnership, keeping in mind the breadth and quality of this region’s early Texas art? At the Amon Carter we are initiating a plan to educate ourselves and to build those relationships within the community through small exhibitions in our galleries of loaned works that we find to be the strongest art in private collections. Our quest is for the best representation of artists—those who made a significant contribution to the nation’s art history. In other words, we are aiming to find the line where, for us in this great state, the regional becomes national.

This direction involves both an expanding vision and an invitation: the museum’s vision to help elevate the high-quality regional art of the state, and an invitation to such artwork’s collectors. Questions will arise, some challenging, as we expand our collecting vision in this way. Our hope is that collectors will find the Amon Carter a worthy partner in this exploration of Texas art. We recognize that the knowledge and passion, along with the works of art, reside with collectors who have already discovered and come to appreciate the value and beauty inherent in these works.

How Science Informs Art

Our Conservator of Works on Paper Jodie Utter is a featured guest blogger for The Planetary Society! Check out her post to discover how scientific analysis of artworks using different parts of the electromagnetic spectrum informs understanding of how artists worked and how the appearance of their paintings has changed with time. Jodie's research and knowledge about Charles Russell's watercolor techniques and materials are also featured in a section of our current special exhibition Romance Maker: The Watercolors of Charles M. Russell. Congratulations, Jodie!