For more than forty years, Texas artist Valton Tyler (b. 1944) has depicted unparalleled worlds from his imagination. His captivating artworks feature unique interplays of identifiable, organic, mechanistic, and surreal shapes, which often rise from mountain, desert, or arctic landscapes. One of the only etching series he ever created, along with graphite drawings and large-scale paintings, are brought together for the first time in this rare exhibition of a local talent whose work defies artistic categorization.
Unconcerned with the perception of the art world, Tyler has always... Read more
From zigzags and curves to diagonals and scribbles, this small exhibition of prints by abstract artist Gego (1912–1994) celebrates the vibrant diversity of line. While primarily known as a kinetic sculptor, Gego explored the printing process’s potential for creating intricate linear patterns while working at the Tamarind Lithography Workshop in Los Angeles in 1966.
Drawn from the Amon Carter’s collection, these richly saturated lithographs reflect Gego’s interest in the intersection between line and space. Her choice of dramatic blacks and reds, contrasted with the lightly colored... Read more
When renowned New York City fashion and portrait photographer Richard Avedon (1923–2004) agreed in late 1978 to take on a commission from the Amon Carter to create a portrait of the American West through its people, he was filled with uncertainty about whether the project would succeed. The following spring he went to the Rattlesnake Round-Up in Sweetwater, Texas. That weekend he created six evocative portraits that would set the tone and bar for five more years of photographing. In these sittings, he discovered people who conveyed through their faces, clothes, and postures, not merely... Read more
Winslow Homer (1836–1910) and Frederic Remington (1861–1909) were among the most accomplished American artists of their day. While they both personally measured the success of their careers by the recognition they received from critics and patrons for their oil paintings, they likely would never have obtained the status of American greats without their mutual involvement in the world of illustration. Wide distribution in the leading periodicals of the day assured that they became household names.
Their training in the commercial world was fundamental to their success. Both artists... Read more
Although widely known for her iconic “soak-stain” canvases, Helen Frankenthaler (1928–2011) was an equally inventive printmaker who took risks in a medium not frequently explored by abstract expressionists. Fluid Expressions: The Prints of Helen Frankenthaler highlights the artist’s often-overlooked, yet highly original and whimsical print production.
Drawn from the collections of Jordan D. Schnitzer and his Family Foundation, this exhibition includes more than 25 prints made from a diverse range of techniques, including lithographs, etchings, aquatints, screen prints, and... Read more
For his sculptural installation Trace, Texas-based artist Darryl Lauster (b. 1969) created ten fragmentary Carrara marble tablets and carved phrases in them using a font reminiscent of monuments. The blocks of stone seemingly speak essential truths—such as language from American founding documents, various militia and splinter group manifestos, and parts of the inscription on the Statue of Liberty—uniting fundamental phrases intended for entirely different purposes and obscuring their original meanings. Because the stones appear to be broken pieces of a full inscription, any overarching... Read more
The Polaroid Project surveys the history of the innovative photographic company Polaroid and its intersection with art, science, and technology during the second-half of the twentieth century. Featuring a wide-ranging group of artists, the exhibition showcases the diversity of works produced over several decades.
Organized by the Foundation for the Exhibition of Photography, The Polaroid Project displays a variety of image sizes and formats produced over the years and the rich legacy of technological and artistic experimentation that the company enabled prior to... Read more
We often think of nature as that which stands beyond humanity and culture as that which reflects people’s achievements. But rarely is the matter so simple. This exhibition explores different facets of the dichotomy. Besides reflecting on how nature counterpoints and enlivens our built environment, the show recognizes the more problematic use of the term, and its cousin “natural,” when applied to snapshots, portraits, and Native American cultures. Read more
Over the last nine years, North Texas photographer Dornith Doherty has traveled the globe to construct a visual meditation on the planet’s botanical diversity by showcasing the work of international seed banks and sharing the pure aesthetic pleasure of seeds and their transformations into plants. This exhibition celebrates the completion of that project. At a time when some ecologists are suggesting that we are losing more than ten animal and plant species each day, the display provides eloquent confirmation of the close relationship between botany and biophilia. Read more
From giving something your “best shot” to feeling like a “fish out of water,” metaphors and imagery from the sport of hunting and fishing permeate American culture. Inspired by the coinciding exhibition of painting and sculpture Wild Spaces Open Seasons: Hunting and Fishing in American Art, this selection of works on paper explores the popular outdoor subjects that have captivated American artists for centuries. Whether lithographs produced by the popular printmaking... Read more