Industrious field mice, frolicking squirrels, fierce otters, and fearsome wild cats are just some of the stars of this selection of hand-painted prints by famed scientist and artist John James Audubon (1785–1851). Although we know Audubon today primarily for his devotion to birds, he was more than a chronicler of flying creatures. This exhibition features some of his greatest depictions of North America’s four-legged animals in their natural habitats, from swamps to savannahs.
This exhibition showcases approximately sixty works from the museum’s collection of nineteenth- and twentieth-century still lifes. Organized in celebration of the recent acquisition of Raphaelle Peale’s Peaches and Grapes in a Chinese Export Basket (1812), the exhibition includes works from across the collection including paintings by the trompe l‘oeil masters William Harnett and John Frederic Peto, vibrant floral subjects by Georgia O’Keeffe and Arthur Dove, prints by Louis Lozowick, and photographs by Wynn Bullock and Carlotta Corpron.
Edward Weston (1886–1958) and his son Brett (1911–1993) were both master photographers. Yet rarely is their work shown together. Featuring twenty-three prints, this exhibition offers an unusual opportunity to compare the visions of these two artists and to see how each balanced recording the world’s direct appearance with a sense of abstraction.
Although they were contemporaries, Frederic Remington (1861–1909) and Charles M. Russell (1864–1926) could hardly have been more different. This focused exhibition of paintings and sculptures selected from the Amon Carter’s extensive collection offers visitors an opportunity to gain insight into dissimilarities between the two artists. Remington and Russell followed their own unique paths to become the greatest practitioners of the art of the American West. Yet, regardless of their differences, they not only manifested the Western Myth, they were largely responsible for creating it.
The Amon Carter is delighted to participate in a national tour organized by the Terra Foundation for American Art of Samuel F. B. Morse’s iconic painting Gallery of the Louvre (1831–1833). Though Morse is most widely known as a scientist and inventor, he was a leading artist of his time and served as president of the National Academy of Design. Gallery of the Louvre stands as one of Morse’s last great artistic achievements.
Drawn from the celebrated American Indian art collection of Charles and Valerie Diker, Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection showcases approximately 120 masterworks, including fine examples of basketry, pottery, sculpture, ivories, kachina dolls, regalia, and pictographic arts from tribes across the North American continent. The exhibition provides rare access to many exquisite works from one of the most comprehensive and diverse collections of American Indian art in private hands.
Self-Taught Genius: Treasures from the American Folk Art Museum explores the “self-taught” artist as an elastic and enduring phenomenon with powerful and profound implications that have changed over time. More than 100 works of art are on view in this groundbreaking exhibition that highlights the roles of folk and self-taught artists as figures who are central to the shared history of America and whose contributions to the national conversation are paramount.