Although they were contemporaries, Frederic Remington (1861–1909) and Charles M. Russell (1864–1926) could hardly have been more different. This focused exhibition of paintings and sculptures selected from the Amon Carter’s extensive collection offers visitors an opportunity to gain insight into dissimilarities between the two artists. Remington and Russell followed their own unique paths to become the greatest practitioners of the art of the American West. Yet, regardless of their differences, they not only manifested the Western Myth, they were largely responsible for creating it.
Edward Weston (1886–1958) and his son Brett (1911–1993) were both master photographers. Yet rarely is their work shown together. Featuring twenty-three prints, this exhibition offers an unusual opportunity to compare the visions of these two artists and to see how each balanced recording the world’s direct appearance with a sense of abstraction.
This exhibition showcases approximately thirty works from the museum’s collection of nineteenth- and twentieth-century still lifes. Organized in celebration of the recent acquisition of Raphaelle Peale’s Peaches and Grapes in a Chinese Export Basket (1812), the exhibition includes works from across the collection including paintings by the trompe l‘oeil masters William Harnett and John Frederick Peto, vibrant floral subjects by Georgia O’Keeffe and Arthur Dove, prints by Louis Lozowick, and photographs by Wynn Bullock and Carlotta Corpron.
Industrious field mice, frolicking squirrels, fierce otters, and fearsome wild cats are just some of the stars of this selection of hand-painted prints by famed scientist and artist John James Audubon (1785–1851). Although we know Audubon today primarily for his devotion to birds, he was more than a chronicler of flying creatures. This exhibition features some of his greatest depictions of North America’s four-legged animals in their natural habitats, from swamps to savannahs.
Ever since Leonardo da Vinci created his celebrated Mona Lisa, artists have tried to paint portraits as distinctive as this Renaissance masterpiece. See how Texas artists established their own portrait tradition in this installation that pairs artists’ self-portraits with those of their close friends, relatives, and colleagues.
Local artist Benito Huerta strives to expand the boundaries of art by creating works that are symbolic, interactive, and relevant to viewers. Having completed many public art commissions, such as designs for Terminal D at Dallas/Fort Worth International Airport and the Mexican-American Cultural Center in Austin, and serving as professor and director/curator for the Gallery at University of Texas at Arlington since 1997, Huerta understands what it means to make artworks that are physically and psychologically integral to the community.