American Photographs, 1845 to Now brings together more than 70 photographs drawn from the Amon Carter’s permanent collection. Spanning the history of the medium, the works reflect the diversity of photographic practices in the United States that grew along with the country’s industrial development beginning in the mid-nineteenth century. Covering 170 years of photography’s history, from unique daguerreotype portraits to large-scale contemporary works, the exhibition provides a glance at photography’s central role in recording the people, places, and events that have come to define... Read more
The Amon Carter has commissioned a large-scale, site-specific installation of more than eighty miles of multicolored thread by internationally celebrated Mexican-born, Dallas-based artist Gabriel Dawe.
Words cannot do justice to the transformative power of Dawe’s sculptural marvels, which he weaves from thousands of thin strands. They look like frozen light and Technicolor vaporous mist, drawing attention to the majestic architecture and natural light of the museum’s Atrium, designed by renowned architect Philip Johnson. The Amon Carter will be the home of Plexus no. 34... Read more
An avid printmaker, Sam Francis (1923–1994) combined loose strokes and splatters to create vibrant lithographs that pop with color and pulse with energy.
An injury during a World War II test flight resulted in Francis’s hospitalization for several years. It was during his recovery that he began making art. Later he would become a world traveler, visiting France, Indonesia, Japan, and Thailand, among other locales. His artistic models ranged from Abstract Expressionism to Surrealism, while literature, science, Eastern philosophy and religion, and the psychoanalytic theories of Carl... Read more
Identity explores how identity in American culture is often as much about how people present themselves to the world as it is externally determined. Exploring community, celebrity, and individual identity through portraiture from the Amon Carter’s permanent collection, the exhibition highlights the exciting new acquisitions of Sedrick Huckaby’s The 99% and Glenn Ligon’s print series Runaways. Whereas Huckaby engaged with and depicted 101 members of his neighborhood to uncover how their individual personalities were reflective of a larger community identity, Ligon... Read more