Although widely known for her iconic “soak-stain” canvases, Helen Frankenthaler (1928–2011) was an equally inventive printmaker who took risks in a medium not frequently explored by abstract expressionists. Fluid Expressions: The Prints of Helen Frankenthaler highlights the artist’s often-overlooked, yet highly original and whimsical print production.
Winslow Homer (1836–1910) and Frederic Remington (1861–1909) were among the most accomplished American artists of their day. While they both personally measured the success of their careers by the recognition they received from critics and patrons for their oil paintings, they likely would never have obtained the status of American greats without their mutual involvement in the world of illustration. Wide distribution in the leading periodicals of the day assured that they became household names.
Their training in the commercial world was fundamental to their success. Both artists... Read more
When renowned New York City fashion and portrait photographer Richard Avedon (1923–2004) agreed in late 1978 to take on a commission from the Amon Carter to create a portrait of the American West through its people, he was filled with uncertainty about whether the project would succeed. The following spring he went to the Rattlesnake Round-Up in Sweetwater, Texas. That weekend he created six evocative portraits that would set the tone and bar for five more years of photographing. In these sittings, he discovered people who conveyed through their faces, clothes, and postures, not merely... Read more
“Within the frames are carefully rendered drawings of bizarre structures and creatures that defy description. The canvases explode with colors and shapes that curve and undulate in unimaginable ways. They are modern, abstract, surreal and boldly daring. And they are hanging at the Amon Carter Museum of American Art.” –Fort Worth Star-Telegram
For more than forty years, Texas artist Valton Tyler (b. 1944) has depicted unparalleled worlds from his imagination. His captivating artworks feature unique interplays of identifiable, organic, mechanistic,... Read more
From zigzags and curves to diagonals and scribbles, this small exhibition of prints by abstract artist Gego (1912–1994) celebrates the vibrant diversity of line. While primarily known as a kinetic sculptor, Gego explored the printing process’s potential for creating intricate linear patterns while working at the Tamarind Lithography Workshop in Los Angeles in 1966.
Drawn from the Amon Carter’s collection, these richly saturated lithographs reflect Gego’s interest in the intersection between line and space. Her choice of dramatic blacks and reds, contrasted with the lightly colored... Read more
Animal inaugurates an exciting new cycle of video installations at the Amon Carter. In 2010, Landmarks, the public art program at the University of Texas at Austin, commissioned multimedia artist David Ellis (b. 1971) to create a video during a six-week residency there. Ellis and his collaborators, cinematographer Chris Keohane and composer Roberto Lango, created a film of the artist painting creatures, landscapes, and abstractions to an accompanying soundtrack. Animal takes you on an exhilarating journey through Ellis’s spontaneous, creative process.
Born in North... Read more
This exhibition presents the work of some of Texas’s most significant contributors to mid-twentieth century modernism—Jack Boynton, Ben L. Culwell, Seymour Fogel, Michael Frary, George Grammer, Robert O. Preusser, and Donald Weismann. Although geographically isolated from the progressive cultural environments of New York City and Los Angeles, these artists pioneered their own abstract styles that reflect their independent ambitions within the Lone Star State.
In the early 1940s, when abstract expressionists in New York City were revolutionizing the art world by painting... Read more
The Amon Carter has commissioned a large-scale, site-specific installation of more than eighty miles of multicolored thread by internationally celebrated Mexican-born, Dallas-based artist Gabriel Dawe.
Words cannot do justice to the transformative power of Dawe’s sculptural marvels, which he weaves from thousands of thin strands. They look like frozen light and Technicolor vaporous mist, drawing attention to the majestic architecture and natural light of the museum’s Atrium, designed by renowned architect Philip Johnson. The Amon Carter will be the home of Plexus no. 34... Read more