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And if you don't already subscribe to our RSS feed, you should! Just click on the little orange icon at the bottom right side of our Interact, Calendar, and Exhibitions pages to stay completely up-to-date on everything happening here at the Amon Carter. If you have any questions about subscribing to our RSS feed or using the new website, please post them in the comments.
It's less than two weeks until the opening of the special exhibition The Allure of Paper: Watercolors and Drawings from the Collection, and the museum is busy with preparations! In this installment of our blog series, discover some of what goes on behind-the-scenes as the exhibition moves through the design process.
Exhibition Designer Trang Nguyen plays a critical role in the presentation of every exhibition displayed at the Amon Carter Museum of American Art.
Exhibition Designer Trang Nguyen hard at work in her office.
Trang’s initial step in planning for any exhibition is to establish an identity for the exhibition's design. As she describes, “I’m a translator because I take the exhibition content that the curator has created and translate it into a visual vocabulary in the galleries.”
In preparing for The Allure of Paper, Trang used the catalogue that accompanies this exhibition as a guideline. She then designed the exhibition's text panels and object labels and worked with me (the curator) to determine the wall colors for the exhibition. Because The Allure of Paper spans almost two hundred years of American art, Trang wanted colors reminiscent of the nineteenth and twentieth centuries and chose paint colors from Benjamin Moore’s Historical Color Palette.
Installation and Preparation Services staff members Les Hofheinz and Greg Bahr carefully prepare a gallery.
Reviewing the checklist for the exhibition---which is a list of all of the artworks to be included---Trang next provides a space assessment to determine how the works of art will fit within the special exhibition galleries. Trang laid out the works of art for this exhibition with me and determined that three walls needed to be added to the galleries.
Trang printing out object labels for the galleries.
Trang is also responsible for producing all of the object labels, text panels, and any other visual text or images that accompany the exhibition. Trang’s work will undoubtedly ensure an optimal viewing experience for visitors who plan to attend The Allure of Paper exhibition, and we can't wait for you to see it!
Post written by Shirley Reece-Hughes, assistant curator of paintings and sculpture
Our website is under construction, so there won’t be any blog posts for the next few weeks. We’re busy making it more accessible and user-friendly for visitors. It will showcase our new graphic identity and name, along with a fresh design.
Please check back soon to see our redesigned website, and save the date for 50 Fest on August 13, a free celebration of our 50th Anniversary with art, bands, food, and fun!
Take advantage of the unique opportunity to hear directly from Director Andrew Walker and Curator of Paintings and Sculpture Rebecca Lawton. Both will be in the special exhibition galleries on Thursday from 6 to 8 p.m. to answer your questions about the paintings on view in The Hudson River School: Nature and the American Vision.
If you can’t make it out on Thursday, you can still take part in the conversation while on the go. Both speakers will be fielding questions sent in via our Twitter (@the_carter) and posted on our facebook page.
Thomas Cole (1801–1848), The Course of Empire: The Consummation of Empire, 1836, oil on canvas, New-York Historical Society, gift of The New-York Gallery of the Fine Arts, 1858.3
We hope you’ll have a chance to see the exhibition before it closes on Sunday. These spectacular paintings, which include Thomas Cole’s monumental series The Course of Empire, may never return to Fort Worth again!
One of the fringe benefits of working in this museum is getting to participate in our public programs. Personal favorites are at opposite ends of the visitor spectrum.
The second Thursday of each month means it’s time for Sharing the Past, a program designed for Alzheimer’s patients and their caregivers. The hour flies by with visitors sharing stories, insights, and memories elicited by the works of art. Songs have been sung, poetry has been recited, jokes have been told, so who knows what will happen next? If you are interested in more information on this program contact email@example.com or call 817.989.5030.
Bethesda Gardens residents attend the Sharing the Past program at the Amon Carter.
Summer is almost here so get ready for Storytime! This popular program returns with new books, new activities, and more cookies! Grab the kids and make the Amon Carter the place-to-be on Wednesday mornings in June and July.
Storytime at the Amon Carter.
Program Update: We had an age range of 100 years between Sharing the Past and Storytime attendees! There really is something for everyone at the Amon Carter.
The upcoming special exhibition The Allure of Paper: Watercolors and Drawings from the Collection was organized in celebration of our 50th anniversary. The museum has been acquiring drawings and watercolors since its inception. Yet these one-of-a-kind works of art have never been displayed together on such an extensive scale. Because all of these works are on paper---which fades every time it is exposed to light---many of them have not been exhibited for over ten years!
Jane Myers, the museum’s former Senior Curator of Prints and Drawings, discusses seventy-three of these treasured artworks in the catalogue that will accompany the exhibition. Beginning July 9, closer to ninety artworks will be on view in the galleries allowing visitors a chance to see the depth and breadth of our collection.
These watercolors and drawings date from the late eighteenth century to the latter part of the twentieth century and include landscapes, still lifes, portraits, scenes of everyday life, and even avant-garde abstractions. Featured artists include Winslow Homer, Edward Hopper, Georgia O’Keeffe, John Singer Sargent, Ben Shahn, and Joseph Stella, among many others. With such a diversity of artists, subjects, and styles represented, there is literally something for everyone in this exhibition. Check out some of the featured artworks below and then keep checking the blog as we give you an inside look at this exhibition in posts through October.
John Rubens Smith (1775--1849)
Portrait of Frances Isabella Moore (Mrs. John Heffernan), 1814
Transparent and opaque watercolor over graphite on paper
William Constable (1783--1861)
The Great Falls of the Mohawk, ca. 1825--30
Watercolor over graphite on paper
Gift of Mr. J. A. Curran
John La Farge (1835--1910)
Still Life of Petunias in a Glass Vase, 1884
Pastel on paper
Acquisition in memory of Bartlett H. Hayes, Jr., Trustee, Amon Carter Museum of American Art, 1968--1976
Joseph Stella (1877--1946)
Untitled, ca. 1914--18
Transparent and opaque watercolor and graphite on watercolor paper
Post written by Shirley Reece-Hughes, assistant curator of paintings and sculpture
A recent study by Koenraad Cuypers of the Norwegian University of Science and Technology reveals that visiting a museum can be good for your health.
Scientists agree that leisure activities, including cultural events, reduce stress. Cuypers' study focused on two different ways of participating in a cultural activity: the “creative” culture where the person actually participates in the activity; and the “receptive” culture where the person simply views the event. Creative culture includes singing in a choir or dancing or creating art. Receptive culture includes watching a ballet or seeing a play - or visiting a museum.
I was very surprised to learn that men thought they benefited more from receptive cultural activities than women did. Cuypers added that the more activities the respondent participated in, the better their perceived health. So the next time you ask the guy in your life to come to the Amon Carter and he rolls his eyes, just tell him it’s good for him.
Ruth Orkin (1921-1985)
Woody Allen — Metropolitan Museum of Art, 1963
Gelatin silver print
On this date in 1883, the Brooklyn Bridge, linking Brooklyn and Manhattan, was opened to traffic. German emigrant John Augustus Roebling conceived the design but did not live to see it even begin. He died from injuries sustained in an accident while overlooking the building site. His son, Washington Roebling, saw the project to completion but not without enduring his own physical problems directly due to working on this project.
Roebling used a series of wooden boxes called caissons to build his foundation for what would become the largest suspension bridge in the world. The boxes, built like an upside down barge, would be sealed watertight, floated, then pushed into position by tugs. At the proper place it would be sunk then the water pumped out while air was pumped in for the workers who were digging down to the bedrock. At the same time huge stone towers were being built on top of the caissons, helping them to sink down. Once the towers were in place the anchorages were built. These would hold up the cables and keep the roadbed from sagging. Each anchorage weighed 120,000,000 pounds. Much of the cable work was done by sailors since they had experience doing work while hanging from high masts.
This incredible structure is also the source of inspiration for many artists. No fewer than seventy works of art that directly include this structure are in our permanent collection. Oscar award winning cinematographer and photographer Karl Struss was particularly captivated by this bridge. We have thirty two photographs by this artist devoted to this historic landmark.
Karl Struss (1886-1981)
Cables--New York Skyline through Brooklyn Bridge, ca. 1910-1912
FYI…John Roebling also designed a Texas landmark. The Waco suspension bridge opened in 1869 right next to the original site of the town.
Waco Suspension Bridge. 2 January 2007. Image by Georgi Petrov.
The Amon Carter recently joined with the Botanical Research Institute of Texas to work with area students on the Great Tree Essay Writing Contest, a project focusing on area trees. Area third-graders wrote stories about trees and submitted them and one of the prizes was to read their story during a live interactive videoconference in the special exhibition gallery here at the museum. Congratulations go out to Nina Williams from Tanglewood Elementary School and Karino Gibson from Daggett Montessori School for their winning insightful stories. All of the students in Karino and Nina’s classes were asked to study and prepare questions concerning works of art that featured trees, and several students shared their questions with 31 schools from across the nation during the broadcast.
Students from Tanglewood Elementary School and Daggett Montessori School in Fort Worth, Texas, participate in an interactive video broadcast from the special exhibition galleries.
A tip of the hat goes to our newest neighbor in the Cultural District! The Botanical Research Institute of Texas will soon open its doors to the public for the first time . The new facility is LEEDS certified and ready to be an important part of Fort Worth’s educational landscape.