The museum's research library is exhibiting a copy of Laura McPhee's large photobook Guardians of Solitude, offering a chance for visitors to compare the book with a companion photograph now on display in the exhibition Big Pictures. The limited edition book marks the inaugural publication of Iris Editions in London and translates McPhee’s engagement with large-scale photographs into a book format. The images in this work document the regeneration of the landscape following a devastating fire in 2005 that ravaged an area of over 40,000 acres in the White Cloud Mountains Region in central Idaho. The sequence of photographs collectively demonstrates the interplay of destruction and creation following the fire. The special exhibition Big Pictures features McPhee’s photograph, Understory Flareups, Fourth of July Creek, Valley Road Wild Fire, Custer County, Idaho, 2005, depicting the fire as it was happening.
One of the great pleasures of being an archivist at an art museum is getting the chance to deal with manuscript materials. It is archival collections that contain the letters, diaries, scrapbooks, etc. that document an artist's life and work. It allows a researcher first-hand access to the artist. So, with great excitement, we recently had the opportunity to acquire, through the generosity of Charles Smith, the archive of Kelly Fearing.
Fearing was part of the Fort Worth Circle of Artists, primarily active in the 1940s and 1950s, who brought modernist ideas and techniques to the Fort Worth area. The Fearing archive has manuscript material spanning his Fort Worth period on into his later distinguished artistic and educational career at the University of Texas at Austin. The archive, once organized, will allow researchers to delve into Fearing's art, associations, and the milieu he worked in. It joins other private papers and records at the Amon Carter, including Fort Worth Circle artists Bror Utter, Marjorie Johnson Lee, Flora and Dickson Reeder, and Blanche McVeigh.
Photo Above: Unprocessed Kelly Fearing Papers
Big news! Starting this week on March 2, the research library will offer Saturday hours, 11 a.m.-4 p.m., September through May, to accommodate researchers who are not able to visit us during the work week. A reference librarian will be available in our beautiful reading room to help with your research projects. We also offer free Wi-Fi and digital scanning. Photocopy service available for a charge.
The library offers access to a collection of 140,000 items documenting the rich history of art, photography, and culture in the United States, with holdings of many rare items, including unique archival collections. We rotate a selection of some of this special material in exhibitions in the reading room. Please stop by on Saturday and let us introduce you to our fascinating collection.
Wednesday: 11 a.m.–4 p.m.
Thursday: 11 a.m.–7 p.m.
Friday: 11 a.m.–4 p.m.
Saturday: 11 a.m.–4 p.m., September through May
Other times by appointment
Jason Dean, Cataloger & Technical Services Librarian at Crystal Bridges Museum of American Art (and previously a volunteer at the research library here at the Amon Carter), recently told the fascinating story of The North American Sylva; or, a Description of the Forest Trees of the United States, Canada, and Nova Scotia . . . This signal illustrated botanical work by François André Michaux (1770–1855) and Thomas Nuttall (1786–1859) stands as the most important study of American trees before the twentieth century, offering an unparalleled record of species growing in the United States and Canada during the period. As Jason points out, this work not only combines the research of both authors but also offers the opportunity to study two different illustration techniques: early engravings (with hand-coloring) based on illustrations by the famous French flower painter Pierre-Joseph Redouté (1759–1840) and later hand-colored lithographs. Crystal Bridges has the 1841 edition (Philadelphia: J. Dobson, 1841) while the Amon Carter has the 1859 edition (Philadelphia: D. Rice & A. N. Hart, 1859). The Amon Carter's copy was acquired on the occasion of Ruth Carter Stevenson’s 80th birthday.
Late last year the research library acquired an intriguing photobook published by Phaidon Press, Stephen Shore's The Book of Books. Starting in the early 2000s, Shore produced a series of print-on-demand photobooks using Apple's iPhoto publishing service. Between 2003 and 2010, he produced eighty-three of these books which were made available in limited editions via various galleries. The Book of Books reproduces all these books in a two volume slipcased set, also in a limited edition (250 numbered copies), print-on-demand format. Get your mind around that! Currently, only two libraries in the country have a copy of this beautiful set of books. Please drop by the research library to take a closer look!
A recent story by Susan Schulten on Fast Company's design blog, Co.Design, highlights the work of Francis Walker, superintendent of the nation's 1870 census. Walker was a pioneering data cruncher and graphic designer, and he's credited with his work on the census, wringing intelligence out of the massive amount of data gathered about the country into a clear, graphic form. As it turns out, the museum's research library has a copy of his Statistical Atlas of the United States Based on the Results of the Ninth Census, 1870 .... This folio volume, lithographed by New York printer Julius Bien, a popular printer of government documents and map maker of the period, predates the current infographic craze by a long period and is all the more amazing given that its production was by mechanical and hand means alone. Please come by to view the volume in the research library reading room. We also have copy of Schulten's Mapping the Nation: History and Cartography in Nineteenth-century America.
Some of you may have heard today's interview with Leonard Volk by Kris Boyd on KERA 90.1's Think. As the interview reveals, much of Volk's picture-taking technique and philosophy are embodied in the photographer's new book, Everyday, which includes a selection of images from the photographer's career along with insightful essays. If any of you want to view the book, we have a copy available in the research library.
We offer you the following listing of new books entering the Amon Carter Museum of American Art, Research Library, in the month of November. We had a bit of a lean month due to the holiday and staff vacations but still managed to crank out 183 titles. Here are a few selected gems: from 1825, Views in New Haven and Its Vicinity …, an early and diminutive work with hand-colored engravings (only twelve copies reported in WorldCat); Alfonso Ossorio’s Poems and Wood Engravings, ca. 1934, with original prints (some in color); Chromo-mania!: the Art of Chromolithography in Boston, 1840-1910, a gift from the curator of the exhibition at the Boston Athenæum; and, finally, the third set of four photobooks produced by TBW from its Subscription Series featuring the work of Mark Steinmetz, Elaine Stocki, Dru Donovan, and Katy Grannan. Kelly Hunter, library volunteer, contributed the lion’s share of new records this month as she continues her retrospective auction catalog project—these are at the end of the list. All books, with the exception of auction catalogs, are available on the new books cart in the reading room through December. Remember, these books do not circulate outside of the building!
Views in New Haven and Its Vicinity …, 1825
Yesterday library volunteer Jodie Sanders unearthed this turn-of-the-twentieth century article on photographing livestock, particularly sheep and cattle. It comes from the 1899 issue of The American Annual of Photography, an example from the many specialized periodicals on photography that the library collects. We thought we should share this discovery for all you folk taking pictures at the stock show across the street!
Click on the image below to download:
Many of the books in the Nature Bound: Illustrated Botanical Books exhibition feature very delicate, hand-colored illustrations that require an extra level of care. The pigments in the watercolor media used to color the images are very sensitive to light. Exposure to intense light or even lower light levels over a long duration can cause the colors to fade. Though we keep the light levels quite low in the gallery, the duration of the exhibition was long enough to require that we choose new illustrations about halfway through. Early last week we rotated the images on about twenty books. We found that this was not an easy task because it required that the new images continue to work with thematic and aesthetic relationships in the exhibition. In a few cases, it also meant that our art handlers had to create new plastic cradles in order to hold the book open to the new page. But the bonus for our viewers is that they now have the good fortune to see a fresh selection of images. Many of them are at least as, if not more, stunning than the last round. Please come by and take a look!