We've Been Tagged! 25 Random Things About the Carter

Assistant Registrar Lacey alerted me this afternoon that we'd been TAGGED! Not in the traditional spray-paint sense, but in the Facebook sense. The IMA blog challenged us - and 24 others - to post 25 random things about their institution.

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  • 1. The Carter opened January 24, 1961 and will celebrate its 50th anniversary in 2011.
  • 2. Amon G. Carter’s ~ 400 works by Frederic Remington and Charles Russell form the core of our collection, which has expanded to around 300,000 objects.
  • 3. We display on average 500-600 works from the permanent collection at any one time – less than 1%.
  • 4. 162,460 objects in our permanent collection have been cataloged and entered in our collection information system. Over 18,000 objects have been digitized.
  • 5. The first artwork accessioned into the collection was Frederic Remington’s sculpture, The Rattlesnake. The first photograph entered the collection later in 1961 - an image of Charles M. Russell’s hand (holding a cigarette) by Dorothea Lange.
  • 6. Our most recent accession was a pair of prints by Jacob Lawrence.
  • 7. The ghost of the museum’s first director, Mitch Wilder, is rumored to haunt the museum basement.
  • 8. Our Philip Johnson building was completed in 1960 and underwent expansions in 1964, 1977, and 2001. The 2001 expansion increased the museum’s size by nearly 50,000 square feet.
  • 9. The exterior of our original building is Texas shellstone, and the first level of the interior is Texas granite. The teak walls you see in the members lounge were repurposed from the former library walls in the 2001 building expansion.
  • 10. We currently have over 50 artworks out on loan to other museums, including the Charles M. Russell Museum, National Cowgirl Museum, Stark Museum of Art, Eiteljorg Museum, Des Moines Art Center, Joslyn Museum, and MOMA.
  • 11. Our first photography exhibition was Adam Clark Vroman: Photographer of the Southwest in 1962.
  • 12. Our first video installation was Mary Lucier: The Plains of Sweet Regret in 2008.
  • 13. We have 75 full-time staff.
  • 14. Our smallest work is a daguerreotype portrait cased in a pocket watch – it’s a whopping 1 ¼ inches tall.
  • 15. Our largest work is a dye coupler print by Laura McPhee, Understory Flareups, Fourth of July Creek, Valley Road Wild Fire, Custer County, Idaho, 2005, which measures 72 x 96 inches. That’s over 1400 times bigger than the daguerreotype portrait!
  • 16. The oldest work in our collection is a woodcut of a beaver from 1487. The newest works in our collection are from 2008.
  • 17. We store certain photographs and negatives at subfreezing temperatures, so we wear giant, hooded, safety-orange parkas just to move them around (which we try to do as little as possible).
  • 18. Photographer Rynda Lemke is the longest-serving Carter employee – she just celebrated her 30th anniversary at the museum. The father of the Carter’s facilities manager, Alfred Walker, was on the original 1961 building crew.
  • 19. A lithograph by my great-great-uncle, Merritt Mauzey, is currently installed in our works on paper galleries.
  • 20. Two works in the Carter’s collection were installed in President Kennedy’s hotel room during his fateful 1963 trip to Dallas: Charles Russell’s Lost in a Snowstorm and Thomas Eakins’s Swimming. Russell’s Smoke of a .45 was installed in LBJ’s suite. Several paintings from the collection were loaned to decorate the White House in the 1960s and 1970s: The Silk Robe, Colter’s Race for Life, La Vérendryes Discovers the Rocky Mountains, A Mandan Village, and Radisson on the Lakes by Charles Russell, and The Cowboy by Frederic Remington.
  • 21. There are five other museums within a two-block radius of our building: the Kimbell, the Modern, the Cowgirl, the Fort Worth Museum of Science and History, and the Fort Worth Community Arts Center.
  • 22. The Carter is a museum of American art, but we have three large Henry Moore sculptures on our plaza. Henry Moore was English.
  • 23. Works from the Carter have collectively been reproduced in over 3300 books & articles and have been included in 1350 exhibitions. Over 300 of those exhibitions have been at the Carter itself.
  • 24. Our website gets about 20,000 visits per month and 100,000 page views.
  • 25. Admission to the Carter is totally free.
  • Comments

    What a great list! Do we have a digital image of woodcut from 1487?

    No, unfortunately it's a pretty low-traffic item. It actually appears to be a page from an illuminated manuscript.

    Yeah to the Amon Carter for responding to being tagged!

    1. What does he do?

    2. What an epicenter of culture!

    3. As it should be. Keep up the great work!

    The numbers in my previous post somehow got deleted.... I'll try this.

    Seven. What does he do?

    Twenty One. What an epicenter of culture!

    Twenty Five. As it should be. Keep up the great work!

    Thanks for posting! Very interesting facts - my favorite is #17; I'd love to see that.

    There are staff who claim to have seen Mitch in art storage areas, but the "ghost of Mitch" is generally the scapegoat for files that go missing, objects found in the wrong storage locations, and problems with machinery & software. He's quite the scamp.

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