Analog to Digital: Interstate Abstraction

One of the great things about working on digitization projects is that you finally get to see so many works that you’d only heard of before. I’ve seen files and database records for nearly every work in the Amon Carter’s collection, but generally only see the images themselves once they are digitized. So until recently, I knew the following three works by title only. Expecting to see a straightforward cityscape, what a happy surprise to see how they actually look.

The following three works – shown here courtesy of our IMLS digitization grant - are by photographer Diane Hopkins-Hughs, who spent several years in Texas and taught at SMU in Dallas. For any readers outside the DFW area, I-30 is the interstate highway that links Fort Worth and Dallas with points to the east and serves as the main connection between the two cities.

[Note that all three works, and many more by this artist, are now available in our online collection search!]

Diane Hopkins-Hughs, I-30 #2, 1969-1970
Diane Hopkins-Hughs, I-30 #2, gelatin silver print, 1969-70, © Diane Hopkins-Hughs

Diane Hopkins-Hughs, Interstate 30, 1971
Diane Hopkins-Hughs, Interstate 30, gelatin silver print, 1971, © Diane Hopkins-Hughs

Diane Hopkins-Hughs, Interstate 30 #7, 1972
Diane Hopkins-Hughs, Interstate 30 #7, gelatin silver print, 1972, © Diane Hopkins-Hughs

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