Because of the sheer size of the Amon Carter Museum of American Art’s collection and the nature of objects that can deteriorate with exposure to light, such as artworks on paper, only a small portion of the entire collection can be seen at any given time. In addition to artworks, the museum collections include photographic negatives, historical ephemera, library books, and archive materials—hundreds of thousands of individual items, all of which are cataloged and stored for long-term preservation.
As the senior photographer for the museum, I get to see many items that rarely see the light of day. To bring these “dark collections” to light, I’ve been charged with selecting such artworks from our vaults and presenting them on the museum’s Tumblr page—making them available for all to enjoy. Be sure to tune in to our Tumblr page, where there will be a new work presented each week. Here’s a bit of a primer—a couple of items from deep in the vaults that have a connection to each other.
Ralph R. Doubleday (1881-1958), Yakami [sic] Canutt Bulldogger Deluxe, early twentieth century, photographic postcard
The photographic postcard above by rodeo photographer Ralph R. Doubleday shows Yakima Canutt (1895–1986) posing in the rodeo ring. Canutt was known for bulldogging and bronc riding and won the saddle-bronc competition at the Fort Worth rodeo three years in a row from 1921 to 1923, probably around the time this undated photo was taken. He went on to a career as an actor, stuntman, and action film director.
Canutt was hired to ride and act in Hollywood westerns in 1923 and appeared in several silent films. But when the movies transitioned to sound around 1928, Canutt chose to specialize in action and stunt work. He met actor John Wayne while performing as his stunt double in 1932. The two became friends and worked on techniques for stunts and on-screen fighting. Canutt was the inspiration for Wayne's trademark mannerisms, his drawling enunciation, and hip-rolling walk. John Wayne said, "I spent weeks studying the way Yakima Canutt walked and talked. He was a real cowhand."
Both men worked on John Ford's 1939 film Stagecoach, which features Canutt's daring stunt work running across the horses' rigging to jump astride the lead horse and take control of the runaway team.
Screen shot of Yakima doubling John Wayne doing wagon team stunt from John Ford's Stagecoach, 1939
The museum collection includes this screen-printed poster for Stagecoach.
Unknown, Stagecoach, after 1939, screen print
Although Wayne had been acting in Hollywood for ten years, his performance in Stagecoach proved to be his breakthrough role, leading to a legendary career. Stagecoach is considered one of the most influential films ever made. Orson Welles argued that it was a perfect textbook of film-making and claimed to have watched it more than forty times in preparation for the making of Citizen Kane. . . . See you next week on Tumblr!