It’s been about three months since my last post. This isn’t because I’ve been waiting around for something to write about, though now that I think about it, that’s kind of what it’s been. I’ve been busy for sure; but more to the point, I’ve been holding off for the approaching landmark stage of sending our big Russell book to press. Yup, more than 400 of Charlie’s watercolors are soon to be replicated with ink onto paper, then bound between two covers into a real book with real pages to turn, stories to read, and beautiful reproductions to study and savor.
As I write this, we’re reviewing what are called “plotters,” or the final page proofs of our book, output by the printer in Shenzhen, China. Put another way: we are in the final stage of review before we green light the printing, and the presses start rolling.
You’ve been here before. Think back to preparing your resume for a big job search. You read and reread the document over and over again, and you employ the eyes of trusted friends and associates to read it as well. You scour it for any mistakes, oversights, or inconsistencies. And finally, having taken due diligence to new extremes, you release it into the world. No going back then. It’s out there.
We’re on the cusp of “no going back” with our Russell book, and we’re super excited about it getting “out there” and into your hands. The plotters look great, which means that if all goes as it should, the finished product is going to look spectacular.
If you’ve been following this blog, you’ll know there are two editions of this book forthcoming, both of them short-run publications. The Limited Edition run is only 500 copies; the Collector’s Edition run is only 250 copies, and each of these rare copies will be signed by the authors and numbered, then bound in leather and sheathed in a slipcase.
For more information, or if you have questions, you can email me at firstname.lastname@example.org. And you can follow the project on #CMRussellBook. In the meantime, I’m going to get back to the plotters!