“Tom got into a book, crawled and groveled between the covers, tunneled like a mole among the thoughts, and came up with the book all over his face and hands.” –John Steinbeck, East of Eden
Anyone who’s into reading can relate to Steinbeck’s character Tom Hamilton. I recently became so immersed in East of Eden, where Tom exists, that daylight dimmed into evening every day without my realizing it, things needing done piled up around me. Hours after I had set the book aside, I carried its narrative around under my skin.
Reading is how most of us get books all over ourselves. But here at the museum, we get covered in books by making them as much as by reading them. We’re into production now, in fact, on a beauty that is big enough to cover us all, Charles M. Russell: Watercolors, 1887−1926 by Dr. Rick Stewart and Jodie Utter.
The editing has long been done on the book—months of parsing through the prose, making sure it reads clearly, that facts square up from chapter to chapter, that references are accurate. This exercise in molding the words of a book hinges on an intimate working relationship, built on trust, between editor and author, both of whom tunnel together like moles through page after page of manuscript.
Now, though, we’re just finishing proofreading the typeset pages, all 496 of them! These marked pages, all designed and laid out as they will appear in the finished publication, go back to Seattle this week, where Marquand Editions is designing the tome. Marquand’s team will key our changes and corrections into the master files and issue us a new, clean set of pages to review again, making certain all the changes were input correctly. Proofreading a book of this size involves a lot of crawling and groveling for sure, even if the pages aren’t yet between covers!