A Few Words from the Davidson Family Fellow

Through the kind assistance of the amazing Amon Carter Museum of American Art staff and the support of the institution’s Davidson Family Fellowship, I will be researching the many and varied avant-gardist pranks performed by artists on the West Coast during the fall of 2012. These high jinks often involved artists’ working under assumed names and, ultimately, called attention to a Los Angeles art world operating in the shadow of Hollywood—the character-producing machine itself. Examining the calculated intrusions penned by various alter-egos and pseudonyms can ultimately help art historians better understand the context, reasoning, and functionality of the work produced by artists on the West Coast in general, and in particular the Tamarind prints held by the museum by L.A.-based artists Billy Al Bengston, Ed Ruscha, and Ken Price.


Monica Steinberg
Davidson Family Fellow, Fall 2012