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Exhibitions

Special Exhibition
March 11, 2012June 17, 2012

Sargent’s Youthful Genius: Paintings from the Clark

Four spectacular paintings by John Singer Sargent (1856–1925) are part of the renowned collection of the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts.

Special Exhibition
June 9, 2012August 19, 2012

American Vanguards: Graham, Davis, Gorky, de Kooning and Their Circle, 1927–1942

During the early twentieth century, the enigmatic and charismatic John Graham (1886–1961) and his circle of New York artists, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, forged their identities and dramatically transformed conceptions of what a painting or sculpture could be.

Special Exhibition
October 6, 2012January 6, 2013

To See as Artists See: American Art from The Phillips Collection

Founded by Duncan Phillips in 1918, The Phillips Collection in Washington, D.C., opened to the public in 1921 as America’s first museum of modern art. To See as Artists See is the first large-scale, traveling presentation of The Phillips’ celebrated collection of American art, chronicling the broad scope and richness of its holdings from 1850 to 1960.

From the Permanent Collection
February 18, 2012September 16, 2012

Masterworks of American Photography: Series and Sequences

Like most artists, photographers generally work in series. This display of new acquisitions and little-seen collection gems shows how multiple exposures and project groupings reveal new insights about the world and the artistic process.

From the Permanent Collection
March 3, 2012September 2, 2012

Feature Photography Exhibition: The Medium and Its Metaphors

Since the announcement of the invention of photography in 1839, artists and writers have often used potent metaphors to describe the medium’s unique qualities.

From the Permanent Collection
March 13, 2012October 14, 2012

Ruth Asawa: Organic Meditations

San Francisco artist Ruth Asawa (b. 1926) first gained renown in the 1950s for the inventive wire sculptures she crocheted by hand. These daring new art forms earned Asawa critical acclaim and a fellowship to the Tamarind Lithography Workshop in Los Angeles in 1965.

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